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The fonds reflects Reed Erickson's life-long interest and involvement in transgender studies and culture; investments; legal cases; health and drug-related complications; purchase and sale of numerous properties; and his personal relationships with his former wives, children, and members of staff.

The fonds consists of correspondence, financial records, medical records, contracts, handwritten notes, photographs, grant applications, publications produced by the Erickson Educational Foundation (EEF) and related organizations, mailing lists, brochures, invoices and receipts, graphic materials, objects, cartographic materials, property plans, musical compositions and art, blueprints, property and lot plans, a videocassette, audio-cassettes, and other materials.

Correspondents include: Family members, employees (most notably Zelda Suplee), lawyers and attorneys (Alfred Keep, Michael Crane, Michael Pratter, Peter Barry), Dr. Harry Benjamin, Dorr Legg, Dr. John Lilly, Dr. John Money, President Ronald Reagan, Dr. Paul Walker, and Dr. Benjamin Weininger.

The collection consists of materials related to transgender people, narratives, and/or studies.

Fonds consists of meeting minutes, correspondence, reports, newsletters, financial statements, budgets, newspaper clippings, by-laws, records regarding social events, records of branch sub-groups, records regarding national conferences, and photographs. Also included are records collected by branch member Doris Ferne.

The fonds of the Victoria Branch of the Dickens Fellowship is comprised of documents reflecting the activities of the Branch, such as correspondence, meeting minutes, membership information, programmes, scrapbooks, posters, menus, and financial records, dating from 1913 to 1998. The fonds also includes ephemera pertaining to British author Charles Dickens, including scrapbooks, greeting cards, and portraits, which the Dickens Fellowship compiled. The fonds is a window into the Fellowship’s founding, originally as the Victoria Dickens Club, events, and connection with other branches and the Dickens Fellowship. Many of the documents reflect the work of Dorothy Hewitt White who served the Fellowship in several capacities. The fonds provides insight into the ways in which Charles Dickens has been read, performed, and commemorated in Victoria, and more broadly, the social activities of a literary society in Victoria, predominantly in the first half of the twentieth-century.