The fonds consists of 7 letters of Mary Lou Williams to Winston Lucas asking his assistance in distributing her new LP record recently released by Decca Record. Williams was a black jazz pianist and arranger-composer, who is often regarded as the only significant female instrumentalist in jazz. She was an important "swing" pianist with a distinctively understated, legato manner based on subtly varied stride and boogie-woogie bass patterns. She was also a major exponent of postwar modern jazz, and advanced the careers of many younger magicians.
Fonds consists of correspondence, "Bad Trick Sheet" newsletters, reports, clippings, petitions, questionnaires, a "Women as Animals" file depicting women in advertising, and a script for a slide show entitled, "Erotica: A Feminist Exploration." Files arranged in alphabetical order by title.
The fonds consists of conference packages given to each delegate, including conference programme, biographies of recognition awards recipients, names of conference attendees, and blank evaluation forms. Also included in original material used for producing the art exhibit catalogue in 1993.
University of Victoria (B.C.). Women's Conference Committee
The fonds consists of material relating to the operations of The Wonder Press. These include printing samples, supply orders, supplier catalogues, and correspondence. The fonds also contains reference and printed materials collected by the Press, and its founder, Lillian Wonders.
The collection consists of mss, photographs, correspondence, clippings, prints. Mostly concerned with Zillah Hobart's W.W.I experience in Russia. She was the mother of Connla Wood (husband of B. Anne Wood). Also consists of documents relating to the family of Zillah Cicely Nita May (Hobart) Wood, 1894-1967. Also consists of documents relating to Connla T. Wood, son of Zillah Cicely Nita May (Hobart) Wood.
The collection consists of two volumes. The first volume is hardcover and contains clippings from Toronto newspapers. Some of the text extends into the 1930s but all of the photographs are from 1914-1919. The second volume is unbound. Its clippings are from an unknown source. Included with this volume are some loose clippings from the same sources, together with newspapers from Hamilton and Toronto.