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The fonds consists of documents relating to Celu Amberstone's writing career. Records consist of poetry, playscripts, children's prose, notes for readings, publishing contracts, review clippings, correspondence, and acceptance and rejection letters from publishers and editors. The fonds also includes a proof copy of The Dreamer's Legacy by Celu Amberstone, and House of Commons Special Committee on the Disabled and Handicapped publication, "Native Population: Follow-up Report" (1981), which features a profile of Amberstone/Barbara Smith. The fonds is also comprised of digital text files of Amberstone's writings and e-book versions of her publications.

Fonds consists of correspondence, 1993-99; minutes, 1995-99; articles, 1989-2000; brochures; news clippings, 1985-99; scrap books, 1987-99; songs; newsletters, 1997-99; manuscript "Singing in the Rain," n.d.; oral history interview, n.d.; and photographs, 1987-99.

The fonds consists of two accessions of material primarily related to Alan Drengson’s academic career. These include drafts of papers, books, and poems, as well as university course materials, grant applications, professional correspondence, and documents for The Ecostery Foundation and The Trumpeter Journal. The fonds also includes some personal records.

Fonds consists of materials to Hoffman's professional and research activities and reflects his involvement in the BC theatre community. Topics include: aboriginal performance, Carroll Aikins, British Columbia Theatre Conference, British Columbia theatre history, Llewelyn Bullock-Webster, Hamasta ceremony, Inkameep School, New Play Centre, "Nootka Sound , or Britain Prepar’d,""Oxford Companion to Canadian Theatre," "Playing the Pacific Province," Sydney Risk/Everyman Theatre, Theatre Energy, Theatre North West, Theatre One, Vancouver theatre history, Victoria theatre history, and the Western Canada Theatre (Company).
The fonds includes video recordings from the BC Theatre Conferences and audio interviews with Burton Lancaster, Garry Davey, Catherine Caines, Donna Spencer, David Ross, Robert Simon, Len Marchand, Ken Fayrholdt, Ann Adamson, Peggy Bernier, Judith Ceroli, Dorothy Davis, Nick Hutchinson, Cathy Marrion, Mavor Moore, and Phoebe Smith.

Fonds reflects Siebner’s intellectual and philosophical interests and ideas on art and life; his interactions with galleries, friends, family and patrons; travels; involvement in the Limners; pre-publication work for his monographs and other books; promotion and sale of art; and public art commissions.
The fonds consists of personal writing and poetry, correspondence, sales lists, inventories, exhibition announcements, sketches, clippings, photographs, film and video, prints and drawings.

Fonds documents Munro's activities as a diplomat and Member of Parliament, personal research interests, and ongoing political concerns, and include correspondence, memoranda, manuscripts and research materials. Research subjects include Abortion, the Canada/Alaska Boundary Dispute, the Canadian Constitution, External Affairs, Eugene Forsey, the Middle-East, the National Debt, Sidney, B.C., and South Africa. The fonds consists of the following series: Member of Parliament speeches and other material (1972-1990); External Affairs correspondence, manuscripts and research (1955-1990); correspondence relating to research subjects and political concerns (1961-1996); research materials (1967-1995); manuscripts (1946-1993); and personal correspondence and other materials (1925-1993).

The fonds consists of textual records, photographs and ephemera from Charles Moore's service in the English Royal Marines Band and the Royal Canadian Naden Band in Esquimalt, B.C. The fonds is divided into four series: textual records, ephemera, photographs, and sheet music. Textual records include official documents and certificates, correspondence, a resume, military narratives, newspaper clippings, and drawings. Ephemera includes medals, badges, clothing and accessories, souvenirs, small music equipment, a cassette, and diary. Photographs include a green photograph album and photographs rehoused from a blue binder, depicting subjects such as military bands, Moore's fellow soldiers and bandmates, naval ships, scenes from countries visited by the Royal Marines Band after WWII, and Moore's family. Sheet music includes arrangements by Moore for instruments and conductor, as well as his original composition, Original March.

Fonds consist primarily of the correspondence and manuscripts of Dr. Michael Waldichuk specific to environmental issues on the Canadian Pacific coast. The fonds consist of four series: Personal, Cine-film, Pacific Coast Entire, and Pacific Coast Regions. The Personal series contains correspondence, records containing information about Dr. Waldichuk’s academic and professional career, and a bibliography of publications written by Dr. Waldichuk. The Cine-film series consists of 275 metres of film documenting survey procedures, particularly at Crofton Pulp Mill. The Pacific Coast Entire series consists of documents relating to the Pacific Coast as a whole. Pacific Coast Region consists of documents organized into 15 sub-series identified by environmentally distinct regions. The fonds also contains publications received by Dr. Waldichuk in the course of his activities.

Fonds consists of correspondence, and manuscripts submitted for publication.

Fonds consists of research files for his private consulting work, with some material by colleagues and students from the Centre for Public Sector Studies mixed in. Most of the files contain photocopies of studies and submission by native bands and organizations, government documents and reports, journal articles, brochures, and clippings. Many have been originally marked as attachments, but some of the number sequences are no longer complete. There are very few holograph markings or notes, and hardly any manuscript material.