The fonds consists of: 1) correspondence - mainly with fellow writers including Patrick Lane, Susan Musgrave, George Payerle, Robin Skelton, and George Woodcock and with publishers; 2) manuscripts - mainly of his own poetry, drama, and prose, including a BC Bibliography of Literature; 3) notebooks - in which appear ideas, diary entries, drafts of work, etc.; and 4) audio cassettes (not yet listed).
Skelton, Robin "The Record Of A Logophile" (1990) -drafts, proofs -copy 'C', inscribed to Chris Petter -2 tls from George Payerle to Red & Rhonda (Lillard) 1990, plus account statement
The fonds consists of the raw videotape footage produced by Special Collections. The interviewees are as follows: tape 1, Tom Hudson; tape 2, George Woodcock with Howard Gerwing; tape 3, Julia Welbourne and George Steggles; tape 4, Robin Skelton with Howard Gerwing.
University of Victoria (B.C.). Library. Special Collections
The fonds consists of rough drafts and notes for Sward's poetry and prose fiction; publicity material for poetry readings given by Sward; correspondence relating to monetary appraisal of Sward's papers, correspondence between Sward and Wayne Carver, and correspondence regarding grants; Sward's daily journals, lecture notes and notebooks; publications, including magazines, brochures, chapbooks and booklets; Sward family photographs and photographs of Sward with friends and fellow writers, and slides of art works by Judith Sward; art work for publications by Soft Press; film, "The July Movie", by Frederick Edell; and, correspondence, essay and notebook of Irina Schestakowich.
The fonds consists primarily of typescript from "The Nightfishing" used for a radio broadcast; poetry worksheets for "Implements In Their Places", "Malcolm Mooney's Land", and "The Nightfishing"; correspondence with Crieff Williamson and Robin Skelton; and four notebooks, together with Robin Skelton's research notes. Also included is a typescript of "Aimed At Nobody", which was published posthumously, together with related publishing documents and correspondence. The final items are two folders of Graham's artwork and a silk screen portrait of Graham by William Featherston.