The collection consists of a sketchbook with drawings largely of churches, country houses, and other architectural subjects. It includes a few loose and pasted-in sketches at the back. There is a poem of unknown derivation under the first sketch in the book, preceded by an index to 62 sketches dated 1821-1824. Later sketches are pasted in or loose.
The collection consists of letters written by Jack B. Yeats to Sarah Purser (1888-1889) and to a Mr. Quinn, humorous sketches, and a sketchbook for "La La Noo" (1942).
The fonds consists of poetry and other writing works by Morton, video cassettes, CDs, and photographs from writing workshops that Morton attended, notebooks containing correspondence, planning, and writing. The Elder Project was a job that Morton worked on that involved going around to various First Nations communities to collect stories and poems from First Nations Elders as they shared their stories with their younger generations. The collected poems were then printed into small booklets. The fonds consists of the manuscripts and transcripts of these booklets, some of the booklets themselves, as well as permission release forms.
The fonds consists of architectural plans of Samuel Maclure for homes in Victoria, other B.C. locations, and out of province locations, as well as lists of people who commissioned homes by Maclure, including construction contracts. Fonds includes plans by English designer George P. Bankart; plans by H. D. Day; plans by other architects; and watercolours by Maclure of houses, proposed houses and alterations. The fonds also consists of 8 negatives made from copies of original drawings of Hatley Park and 3 photocopies of sketches of a bungalow designed for Mrs. Maltwood.
The fonds consists of records relating to the preparation of "Letters from Sooke: A Correspondence Between Sir Herbert Read and George Woodcock", including correspondence of Patrick Healey, Benedict Read, George Woodcock, and Howard Gerwing. Also included are a few bound copies of "Letters from Sooke" and a quantity of unbound leaves.
The collection consists of a woodblock and a signed pencil drawing of a "Mother and Child" (used as a Christmas card for the Peace Pledge Union); a collotype reproduction of a signed pencil drawing of David Pepler; a typed, signed letter to ? Henderson re: the Catholic Church and the Trade Union Movement, with a pencil draft on verso (illegible?); and eight signed engravings to illustrate Patrick Miller's "The Green Ship" (Golden Cockerel Press).