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Fonds reflects Foster’s artistic processes and practices, research interests, pedagogy, and her relationships with galleries, patrons, students and friends. Fonds consists of sketches, tracings, small paintings and prints, paint samples, printing plates, notes, correspondence, photographs, slides, negatives, exhibition catalogues, newspaper clippings, art publications, receipts and sales documents, inventories, Foster’s diplomas, and various ephemera.

Correspondents include Ed Hill, Barbara Demaray, Fritz Eichenberg, Anna Vakar and several businesses and galleries.

The fonds has been arranged into three series: Art practice, Publications and clippings, and Teaching.

Fonds consists of hospital records.

Fonds consists of architectural drawings of Hambleton's.

Fonds consists of documentation regarding the creation of the IDR’s MA in dispute resolution, annual and other reports, paperwork for extending the IDR’s mandate, institute newsletters, correspondence, videotaped lectures, and videos and publications produced by the IDR.

Fonds reflects Maynard’s artistic processes and practices, his personal life, pedagogy, his relationships with friends, family, fellow artists, galleries and various institutions, as well as the activities of the Max Maynard Trust. The fonds consists of correspondence, newspaper clippings, photographs, slides, contact sheets, negatives, notes and writings, and various ephemera.

Correspondents include Susan Witt, Marjorie Swann, Margaret Maynard, Rona Jones (Maynard), Paul Jones, Joyce Bethel (Maynard), Frederick Brand, Jack Shadbolt, the Art Gallery of Greater Victoria, Winchester Galleries, Maltwood Gallery, and Bau-Xi Gallery.

The fonds has been arranged into six series: Personal documents, Correspondence, Photographs, Publications and clippings, Writings, and Max Maynard Trust.

Richard Yates (1706?-1796) as Sir Paul Plyant in "The Double Dealer", a comedy by William Congreve first produced in 1693.

Ann Brunton Merry (1769-1808) as Calista in "The Fair Penitent", a tragedy in blank verse adapted by Nicholas Rowe, first produced in 1702 and published in 1703. Print published 17 March 1791.

Mary Ann Yates (1728-1787) as Medea in a 1777 engraving of a performance of the tragedy "Medea".

The item is an autograph letter signed from Lord Alfred Douglas to Mrs. Vane-Tempes, dated 27 February 1940. Verso.