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Fonds consists of the following series: Correspondence, 1947-1995; Autobiography manuscripts, 1948-1995; Photographs, 1948-1980; Writing, 1940-1996; Subject files; Newspaper subject files; Newspaper reprints; Newspapers, 1958-1978; Scrapbook of B.C. provincial campaign, 1975; Recording of meeting with Andy Bigg and staff of Cowichan Pictorial regarding joining Union, 1973. The Newspapers include: a complete set of the Western Advocate, 1958-1959, and a complete set of front covers of the Cowichan Pictorial, 1966-1978.

The fonds consists of personal papers including a diary (1923) and correspondence; professional papers, including: appreciations, music, copywriting, magazine publications; and papers that he collected including pamphlets, press clippings and ephemera.

Fonds documents Naylor's life and work as organ scholar and composer. The fonds consists of correspondence to associates, friends and family, 1935-1984; miscellaneous programs, scrapbooks, ephemera, newspaper clippings, and photographs; manuscript choral, instrumental and vocal scores of Naylor's work, and others, 1924-1983; sound recordings of folk songs, chamber music, instrumentals and interviews, and recordings of other composers' work.

Fonds consists of collages (watercolour and fabric) and drawings of costumes designed for the following UVic and community theatre productions: On Baile's Strand, 1965; The Player Queen, 1965; A Man for all seasons, 1965; Renaissance '65, 1965; Murder in the cathedral, 1966; Rhinoceros, 1966; Hadrigan VII, 1973; Old tomorrow: a saga of the CPR, 1973; The three sisters, 1974; The bartered bride, 1978; A Dicken's digest, n.d.; Ghosts, n.d.; Mrs. Alving, n.d.; a midsummer night's dream, n.d. Fonds also includes slides of 3 unidentified productions possibly depicting costumes designed by Biddy Gaddes.

Fonds consists of correspondence and minutes of the committee.

The fonds consists primarily of drafts and research materials used to write his book "Frontier Theatre: A History of Nineteenth Century Theatrical Entertainment in the Canadian Far West and Alaska", published in 1982. Fonds includes musical scores and librettos, programs, photographs, scrapbook and four unpublished plays: "Murder Pattern," 1936; "Ascend as the Sun"; "Earth Song", by Herman Voaden; and "The Dragon", by Bertram Brooker.

Fonds consists of the following series: Personal records, 1925-92; Correspondence, 1928-97; Programs and reviews of performances, 1949-87; Photographs, ca.1895-97; Certificates and medals, 1924-95; Instrumental music scores, 1930-92; Secular choral music scores, 1929-93; and Sacred choral music scores, 1932-38.

Fonds consists of records documenting the administrative and operational activities of the society including general business files, correspondence, financial records, personnel files, publicity, outreach and reviews, scripts, graphic records, audio and video tapes, scrapbooks and posters, and logbooks and notebooks.

Fonds includes the following series: Departmental meeting minutes, 1964-69, 1972-82; Planning for Theatre building, 1975-81; Theatre production, 1963-83; Theatre production for Phoenix Summer Theatre, 1972-81, 1986-87; Theatre production for Senior Secondary Summer Theatre Workshop, 1966-82; Theatre production scripts, 1964-89; Theatre production photographs, 1965-83; Theatre production slides, 1963-86.

The collection consists of manuscripts, typescripts, page proofs, galley proofs, correspondence and original illustrations of early books published by the Dolmen Press, comprising some of the work of about 25 writers. Included among these authors are Austin Clarke, Padraic Colum, Thomas Kinsella, and Richard Murphy. Also included are translations of earlier works in Irish and an edition of one of W. B. Yeats' works.