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Fonds consists of the following series: Correspondence, 1947-1995; Autobiography manuscripts, 1948-1995; Photographs, 1948-1980; Writing, 1940-1996; Subject files; Newspaper subject files; Newspaper reprints; Newspapers, 1958-1978; Scrapbook of B.C. provincial campaign, 1975; Recording of meeting with Andy Bigg and staff of Cowichan Pictorial regarding joining Union, 1973. The Newspapers include: a complete set of the Western Advocate, 1958-1959, and a complete set of front covers of the Cowichan Pictorial, 1966-1978.

Photograph is of an architect's model of the Elliott Building.

The fonds consists of personal papers including a diary (1923) and correspondence; professional papers, including: appreciations, music, copywriting, magazine publications; and papers that he collected including pamphlets, press clippings and ephemera.

Photograph contains image of Audrey Johnson posing with a musical score, actors rehearse on stage in background.

Fonds documents Naylor's life and work as organ scholar and composer. The fonds consists of correspondence to associates, friends and family, 1935-1984; miscellaneous programs, scrapbooks, ephemera, newspaper clippings, and photographs; manuscript choral, instrumental and vocal scores of Naylor's work, and others, 1924-1983; sound recordings of folk songs, chamber music, instrumentals and interviews, and recordings of other composers' work.

Fonds consists of collages (watercolour and fabric) and drawings of costumes designed for the following UVic and community theatre productions: On Baile's Strand, 1965; The Player Queen, 1965; A Man for all seasons, 1965; Renaissance '65, 1965; Murder in the cathedral, 1966; Rhinoceros, 1966; Hadrigan VII, 1973; Old tomorrow: a saga of the CPR, 1973; The three sisters, 1974; The bartered bride, 1978; A Dicken's digest, n.d.; Ghosts, n.d.; Mrs. Alving, n.d.; a midsummer night's dream, n.d. Fonds also includes slides of 3 unidentified productions possibly depicting costumes designed by Biddy Gaddes.

Fonds consists of correspondence and minutes of the committee.

Sous-fonds consists of records kept by Carole Itter documenting the life and death of her daughter, Lara Gilbert, Gilbert’s medical history, the publication of Gilbert's journals, legal trials submitted by Itter and Gilbert, and research on related topics chiefly from newspaper reporting and academic texts and journals. The sous-fonds has been arranged into five series: 1) cassette tapes, 2) I Might Be Nothing records, 3) legal proceedings, 4) medical records, and 5) clippings and research.

Photograph is of the cast of the Phoenix Summer Theatre production of 'The Thwarting of Baron Bolligrew'.