Fonds consists of records of the Malahat Review (Issues 1 through 64) and includes typescripts of articles, short stories and poems submitted to the magazine; galley proofs, page proofs; minutes of meetings of the Malahat Review Editorial Board; general financial and administrative records relating to the magazine's founding by Robin Skelton and John Peter; correspondence of Skelton and Peter concerning submissions to the magazine, requests for submissions to special issues, the magazine's financial crisis in 1975 and appeals to subscribers for support; account books recording works submitted; photographs; press releases; newsclippings.
The collection consists of: Barker's correspondence (1934-1964); news clippings (1933-1968); sketches (1963-1965); holographs and transcripts of essays (1937-1969); notebooks; holographs and typescripts of poetry (1954-1970); contracts (1933-1964); marked proofs; a heavily annotated copy of Elizabeth Smart's A Bonus (1977), and an annotated copy of Aristotle's Poetics etc., which Barker used for reviewing Ezra Pound's XXX Cantos.
The collection consists of typescripts, photocopies of typescripts, dummies, page proofs, and paste-ups of "Premonitions and Gifts" and "Inside Passage".
The fonds consists of typescripts and proofs of novels (1968-1971), television scripts (1964-1969), contracts (1966-1970) and correspondence (1963-1971) with agents and publishing and broadcasting companies.
The fonds consists of records documenting Cuomo's writing activities. Fonds includes notebooks and lists recording hours worked and money earned from his writing; notes, variant drafts and proofs for his novels, short stories and poems, as well as news clippings and other research material; variant drafts of an unpublished play; variant drafts of essays, articles and book reviews; brochures and other ephemera.
The collection consists of manuscripts, typescripts, page proofs, galley proofs, correspondence and original illustrations of early books published by the Dolmen Press, comprising some of the work of about 25 writers. Included among these authors are Austin Clarke, Padraic Colum, Thomas Kinsella, and Richard Murphy. Also included are translations of earlier works in Irish and an edition of one of W. B. Yeats' works.
The collection consists of corrected page proofs of "The Years as Catches" (in a proof of the cover), which was published by Oyez in 1966. Also included is a typescript of "I Am A Most Fleshly Man", with its page markings and bibliography; a typescript of "Notes On Proofs"; and some font samples.
The collection consists of correspondence from Durrell to Alfred Perlès, William Woods, John Lehmann, Peter Russell, Tambimuttu (LD's notes on Dylan Thomas in the form of a letter), and others; also included are a corrected proof of "Balthazar"(sent to Perlès); a sketch (1959) by Eve Miller of Henry Miller, Alfred Perlès and Durrell; and, a watercolour by "Oscar Epfs" (pseud. of L. Durrell) done for a record sleeve "Songs of Greece" plus a Xmas card reproduced from the painting in 1964. Alfred Perlès later changed his name to Alfred Barret, and was often addressed by Durrell and Miller as Joe or Joey in their letters to him.
The collection consists of Johnston's second typescript draft (as finally rejected) of "Shadowdance", later called "The Old Lady Says No!", with holograph corrections by W.B. Yeats and others. Also included are photocopies of several early drafts of this play, including the aforementioned. In addition, there is the author's proof copy, with corrections, of "The Brazen Horn, Lenaea 5" (1968) [probably for 2nd ed. 1969, amended to Lenaea 6]. The collection also consists of correspondence from Denis and Betty Johnston to Bill and Mary Harbold from 1973-1982; a signed photograph of Johnston; photocopies of book reviews and book chapters re Johnston; a copy of Nine Rivers from Jordan with final corrections; and a copy of the libretto of Nine Rivers from Jordan.
The collection consists of Mayo's manuscript proof copy as co-translator (with V. Tchertkoff) of "The End of the Age" by Leo Tolstoy, with her holograph revisions, and carbon typescript with holograph revisions of Mayo's "Note on 'The End of the Age'".
