- CA UVICARCH SC114-3.16
- File
- 1962
Part of Robin Skelton fonds
Peterson, Margaret. 3 in, n.d., 1962, als.
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Part of Robin Skelton fonds
Peterson, Margaret. 3 in, n.d., 1962, als.
The fonds reflects Margaret Peterson’s artistic processes and practices, research interests, pedagogy, her relationship with Howard O’Hagan, and her relationships with friends, patrons, fellow artists, galleries and various institutions.
The fonds consists of correspondence, photographs, biographical documents, diaries and notebooks, financial and business-related documents, grant applications, teaching materials, unpublished poetry and manuscripts, exhibition catalogues, clippings and publications, drawings and small artworks, painting materials, objects collected by Peterson, and various ephemera.
Correspondents include Howard O’Hagan, Elza Mayhew, Glenn Wessels, J. Russell Harper, Jean Varda, Dorothy and John B. Grover, Joy Ling, Walter Askin, Robert and Sarah Amos, Helen Anderson, R.W. Peterson, Ellen Charlotte Peterson, and Jane Hanks.
The fonds has been arranged into five series: Biographical, Art Practice, Publications, clippings and collected ephemera, Teaching, and Howard O’Hagan Materials.
Peterson, Margaret, 1902-1997
The fonds consists of personal, business and publishing correspondence (1953-1982), and also five handwritten letters to Arthur William Wallace (1931-1978); typescripts of O'Hagan's unpublished autobiography, proposed novels and unpublished short stories and articles; notes, variant drafts and page proofs of "The School-Marm Tree"; photographs of O'Hagan and other O'Hagan family members and friends; published articles about O'Hagan and his work, programmes of ceremonies, greeting cards, and bibliography of O'Hagan's works; audio tape interview with O'Hagan, conducted by E.J. Hart in Victoria. Also included is a small amount of Margaret Peterson (O'Hagan) material, consisting of a typescript of "My Life With Howard O'Hagan" and manuscript poetry drafts.
O'Hagan, Howard
George and Anne Piternick collection
The collection consists of correspondence with, and relating to, Margaret Peterson regarding paintings purchased by George Piternick. Correspondents include Peterson, Art Gallery of Greater Victoria, and a film production company making a documentary about the artist, and others, dating from 1967-1968. The four paintings by Peterson owned by Piternick were donated to the UBC Morris and Helen Belkin Art Gallery by Anne Piternick.