The collection consists of photographs of Chinese methods of torture and execution. Only one photograph is dated (1891). Most appear to be from the Imperial period, with a few from the early Republican period.
The collection consists of a printed invitation to Auden's birthday party in 1961 plus carbon and Xerox copies of typed letters and holographic notes from Pulitzer Prize administration to Auden listing books sent to him as a member of the Poetry Jury.
Portrait of a man, a child, and a woman. The man and woman are sitting while the child stands. Photograph was likely taken between 1839 - 1860 based on the usage of the daguerreotype photographic process and the hair and clothing style of the people in the photograph.
The collection consists of 3 typed, signed letters; a postcard; 5 Christmas cards; and a short note from Cummings. (tls to Peter Russell, the rest to Mrs. Ellen Stevenson). One of these letters relates to reprinting one of Cummings' articles. One Xmas card is a reproduction of a painting by E.E. Cummings (stamped on verso "Painting by E.E. Cummings").
The collection consists of transcripts of poems with holographic revisions and notes; correspondence from Dowson to Henry Davray, John Lane, Charles Sayle, Leonard Smithers, and Victor Plarr; copies and typed transcripts of letters from Dowson to John Lane, Conal O'Riordan and Henry Davray, and of letters from R.H. Sherard to O'Riordan about Dowson, after his death.
The collection consists of Duckworth's notebook containing holograph copies of three completed children's stories involving Aunt Minna and Aunt Netty, plus title pages for two more stories. The first and last stories were written by "Aunt Minna" and the third one by "Aunt Netty". The second story was planned for "Aunt Ena" and the fourth for "Cousin Julia". In addition, "Winky blinky" is inscribed in pencil on the last page.
The collection consists of corrected page proofs of "The Years as Catches" (in a proof of the cover), which was published by Oyez in 1966. Also included is a typescript of "I Am A Most Fleshly Man", with its page markings and bibliography; a typescript of "Notes On Proofs"; and some font samples.
The collection consists of a sketchbook with drawings largely of churches, country houses, and other architectural subjects. It includes a few loose and pasted-in sketches at the back. There is a poem of unknown derivation under the first sketch in the book, preceded by an index to 62 sketches dated 1821-1824. Later sketches are pasted in or loose.