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Holiff family fonds

  • CA UVICARCH SC510
  • Fundos
  • 1914 - 2015

The fonds consists of records relating to the personal and business lives of the Holiff family, in particular, Saul and Jonathan Holiff.

The records relating to Saul’s life date from 1914-2005 and include letters, notes, financial records, photographs, newspaper clippings, an oversize scrapbook, audio-visual recordings and publications that encompass Saul Holiff’s life, including years as an RCAF airman, salesman, entrepreneur, promoter, talent manager, columnist and television host, student of history, husband and father, in London Ontario, briefly in California, and later, British Columbia. The fonds documents Holiff’s early businesses in London as well as his entertainment management company, Volatile Attractions, his work and relationships with several Canadian and American music acts from 1956 to 1978, and most notably as manager to Johnny Cash from 1960 to 1973, amongst Cash’s most successful but personally challenging years. Correspondence between the Holiffs, Johnny Cash, June Carter and other members of the music business continues until 2005. Saul Holiff recorded an audio diary between circa 1967 and 1997 and these recordings provide an intimate look into his personal life, business and, importantly, his relationships with family and business associates, including, Johnny Cash.

The records relating to Jonathan Holiff primarily concern the research, preproduction, feature release of and promotion for My Father and the Man in Black, dating from 2006-2015, and consist of 2.85 Terabytes of born digital audio, video, and digitized textual, graphic, and audio visual files, as well as textual, graphic and published materials. Digital materials include items digitized from Saul Holiff’s portion of the Holiff Family fonds for the production of My Father and the Man in Black, commercially published print and music materials primarily concerning Johnny Cash, interviews, production administration records, video masters, commercial release retail DVDs, and promotional materials.

Holiff, Saul, 1925-2005

Margaret Ann Plunkett fonds

  • CA UVICARCH SC646
  • Fundos
  • 1920 - 2010

The fonds consists of a photograph album (including ephemera); buttons/medals and other regalia; pocket watch; certificate of service; ephemera relating to Margaret Ann Plunkett's service as a WREN during WWII (World War II).

Plunkett, Margaret Ann

Reunion papers and historical records

This file consists of WREN reunion records including a programs and correspondence, printouts, photographs, newspaper clippings, and CFB Esquimalt Naval & Military Museum information documents.

Service Records

This file consists of photographs, naval service records, correspondence, and WREN-related documents.

Photograph Album

File consists of a photograph album consisting of photographs and various ephemera, including postcards, telegrams, greeting cards, ticket stubs, programs, menus, business cards, and handwritten notes.

Telephone Booklet

This file consists of a telephone booklet written for members of the armed forces stationed in Seattle in 1945. Booklet contains a folded piece of paper containing dried leaves.

WREN Records, Memorabilia, Photographs

The accrual consists of a photograph album (including ephemera); buttons/medals and other regalia; pocket watch; certificate of service; ephemera relating to Margaret Ann Plunkett's service as a WREN during WWII (World War II).

Photographs

File consists of an envelope, a headshot, and Royal Canadian Naval photographs, with handwritten notes and autographs on the backsides of some items.

Regalia

File consists of a box engraved with Plunkett's initials, containing a pocket watch, an engraved metal tag and chain, and pins.

Ko Bong family fonds

  • CA UVICARCH AR480
  • Fundos
  • 1904 - 1971

The amateur films of Mathew Ko date from the late 1930s to early 1950s and are examples of the popular home movie genre. As historical documents, Ko’s films are exceptional: in their record of family and community life in Victoria and the region during this time, for the number of events represented in each film, and for the use of colour film stock. Aside from a small amount of footage in black and white, Mathew Ko shot in 16mm Kodachrome (introduced by Eastman Kodak in 1935), as well as Kodak and Ansco 16mm stock. Though they contain no sound tracks, his films vividly document significant social, cultural and political events in Chinatown and other areas of downtown Victoria and surrounding neighborhoods, Vancouver Island, the City of Vancouver and the Lower Mainland.

Scenes from the films include: Beacon Hill Park; the Chinese Public School; the Empress Hotel, the Parliament Buildings and Inner Harbour; family scenes, outings and trips; a protest against the sale of scrap iron to Japan (August 1939); pageants and celebrations in Victoria’s Chinatown, including the Rice Bowl Festival, Lion Dance and martial arts demonstrations; Royal Athletic Park pageant and drill team events; the Royal Visit of King George VI and Queen Elizabeth to Victoria (May 1939); trains and steamships; World War II patriotic and post-War parades in Victoria and Vancouver; and youth activities including Scouts and YMCA outings.

Ko Bong family

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