Fonds consists of correspondence, "Bad Trick Sheet" newsletters, reports, clippings, petitions, questionnaires, a "Women as Animals" file depicting women in advertising, and a script for a slide show entitled, "Erotica: A Feminist Exploration." Files arranged in alphabetical order by title.
The fonds consists of 7 letters of Mary Lou Williams to Winston Lucas asking his assistance in distributing her new LP record recently released by Decca Record. Williams was a black jazz pianist and arranger-composer, who is often regarded as the only significant female instrumentalist in jazz. She was an important "swing" pianist with a distinctively understated, legato manner based on subtly varied stride and boogie-woogie bass patterns. She was also a major exponent of postwar modern jazz, and advanced the careers of many younger magicians.
Collection primarily consists of memorabilia and newspaper clippings, collected by Willan's son, Patrick Willan. Files include correspondence and minutes of the Healey Willan Centennial Celebration Committee, 1978-1980; programmes, 1936-1980; clippings, 1936?-1965; programmes and clippings of Willan's opera, Deirdre; obituaries and memorials, 1968; Church of St. Mary Magdalene, 1979-1980; Willan Centenary, 1980; articles on Willan, 1980-1981; memorabilia, 1968-1979; and photographs of Willan with family and musicians.
The fonds consists of four primary series: Michel Butor research files, Jeanne Hyvrard research files, French feminist writings research files, and French lesbian novels research files. The Butor series consists of correspondence, research files, works of Waelti-Walters, and reference material such as articles and clippings. The Hyvrard series consists of Hyvrard manuscripts, correspondence, research files, literary criticism and translations of Hyvrard. The feminist writings and the French lesbian novels series consist of drafts, primary sources, secondary sources, research notes, correspondence, and bibliographies. All the series contains some teaching files and reference material.
Fonds consists of correspondence and workshop handouts relating to the conference, and newspaper clippings and photographs of the 1975 International Women's Day March in Victoria.
The fonds consists of four programmes for 1943, 1956, and 1957; 8 unidentified photographs for a production in 1942; and 1 photograph for "Night Must Fall" in 1951.