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Peggy Abkhazi fonds

  • CA UVICARCH AR325
  • Fonds
  • 189?-1989

Fonds consists of manuscripts, correspondence, family documents, photographs, memorabilia about Georgia and Abkhazi family, and miscellaneous pamphlets. The manuscripts include a typescript of "Manuscript of (Mrs.) Peggy Pemberton-Carter written during internment in Lunghua Prison Camp, Shanghai", accompanying watercolours by Deirdre Fee and Lilian Schlee; typescript of "Dragon Aunt Remembers, 1900-1980", unpublished; photocopy of typescript "The Curious Cage", and an extensive photograph collection of the development of the Abkhazi garden.

Abkhazi, Peggy, 1902-1994

World War I sketchbook collection

  • CA UVICARCH SC325
  • Collection
  • 1917 - 1918

The collection consists of 123 pen-and-ink drawings and watercolours titled: Sketches of the War : France/Belgium in 2 volumes and is dedicated in a pasted in letter: "To my Daughter Adele." The sketches vary from satirical cartoons to more detailed and naturalistic renditions. They are often accompanied by an ironic title and are often signed with the artist's initials, "J.M." The artist's satirical targets include the officers and high command of both combatant sides; the disjuncture between reported and actual events, and the death of civilians as a fact of modern warfare.

Sandra Meigs fonds

  • CA UVICARCH AR138
  • Fonds
  • 1970-2007

Fonds reflects Meigs’ artistic development, relationships with galleries, and teaching career, and consists of articles, brochures, correspondence, essays, lecture notes, notebooks, exhibit posters, photographs, scripts and other writings. Exhibitions and writings include: "The Scab Picker," "The Western Gothic," "Joy Joy Sorrow," "The Newborn," "Swoon," "Scenes for My Affection," "Purgatorio - A Drinkingbout," and "A Dense Fog."

Meigs, Sandra, 1953-

Maud Sherman collection

  • CA UVICARCH SC633
  • Collection
  • 1920 - 1925

The collection consists of eight watercolours of Vancouver Island and Savary Island painted by artist Maud Sherman between ca. 1920 and 1925.

Sherman, Maud Rees, 1900-1976

Samuel Maclure fonds

  • CA UVICARCH SC075
  • Fonds
  • 1894 - 1958

The fonds consists of architectural plans of Samuel Maclure for homes in Victoria, other B.C. locations, and out of province locations, as well as lists of people who commissioned homes by Maclure, including construction contracts. Fonds includes plans by English designer George P. Bankart; plans by H. D. Day; plans by other architects; and watercolours by Maclure of houses, proposed houses and alterations. The fonds also consists of 8 negatives made from copies of original drawings of Hatley Park and 3 photocopies of sketches of a bungalow designed for Mrs. Maltwood.

Maclure, Samuel, 1860-1929

Biddy Gaddes fonds

  • CA UVICARCH AR375
  • Fonds
  • 1964-1976

Fonds consists of collages (watercolour and fabric) and drawings of costumes designed for the following UVic and community theatre productions: On Baile's Strand, 1965; The Player Queen, 1965; A Man for all seasons, 1965; Renaissance '65, 1965; Murder in the cathedral, 1966; Rhinoceros, 1966; Hadrigan VII, 1973; Old tomorrow: a saga of the CPR, 1973; The three sisters, 1974; The bartered bride, 1978; A Dicken's digest, n.d.; Ghosts, n.d.; Mrs. Alving, n.d.; a midsummer night's dream, n.d. Fonds also includes slides of 3 unidentified productions possibly depicting costumes designed by Biddy Gaddes.

Gaddes, Biddy, 1919-2013

Richard Roskell Bayne collection

  • CA UVICARCH SC131
  • Collection
  • 1864 - 1884, 1994-2007

The collection consists of 735 items, the majority of which are drawings and watercolours produced by Bayne on a European sketching tour in 1864-65 made possible by the Soane Medal award in 1864. Bayne spent four months in France (August-December 1864), sketching Romanesque and Gothic churches at Amiens, Soissons, Noyon, Angers, Toulouse, and along the Loire. Bayne travelled to Spain where he spent three months (Jan. - March 1865) documenting sites in the Pyrenees he believed would soon be lost to warfare and neglect, recording stained glass windows and other architectural details of Gothic and Romanesque structures, and visiting sites with important Moorish architecture. Bayne's Spanish work is the most comprehensive of the collection. He also made careful notations on his drawings and sketches with a complete numbering system, identification of the city, structure and facade, and the date of the work. From Spain, Bayne travelled to Naples where he spent about a week in Sicily. He went on to Greece and Turkey for a month (April - early May 1864), apparently going from Athens to Salonica and south to Constantinople. Many of the drawings are missing from this series, but show his interest in Byzantine churches and Islamic architecture in Greece and Turkey. He returned to Naples for a four month tour of Italy (May - August 1864). The collection includes a few drawings from Pompeii, panoramic views of Rome, architectural drawings of Renaissance and Medieval structures from Rome, Venice, Milan, Florence, Pisa, and Assisi, and sketches of architectural details such as stained glass in Assisi and the Baptistery doors in Florence. In September, 1864, Bayne was in Germany, but only a few of these drawings remain. The information about them is limited as they are dated or numbered, but the sites are not recorded on most. After Bayne accepted a position with the East India Railway Company in 1866, he moved to Calcutta, India. Part of the collection includes sketches he made on tours in India, and illustrates Muslim and Hindu structures in Benares, Delhi, Allahabad, Madras, Ahmadabad, Bombay, Brindabun, Chitor, Moorabad, and Calcutta. At least four structures in India are attributed to Bayne: the East India Railway offices (1881-84), the Huseinabad Clock Tower at Lucknow (1881-85), the Mayo Memorial Hall at Allahabad (1879), and the Thornhill and Mayne Memorial Library at Allahabad (1878). The presentation drawing for the latter structure is included in the collection as a donation from the Port Alberni Historical Society. The other items in the collection include a photograph of Bayne, several covers of his original European notebooks, and two certificates, one of which commemorates his achievement in passing the Voluntary Architectural Examination in 1864 with distinction, and the second certifying his election as an Associate of the Royal Institute of British Architects.

Bayne, Richard Roskell, 1827-1901

Peter Mannering fonds

  • CA UVICARCH AR072
  • Fonds
  • ca. 1934-1997

Fonds includes the following series: theatre scrapbooks, 1941-1991; biographical material, 1939-1994; programs and printed material, ca. 1938-1986; photograph series, 1947- ca.1987; audio-visual media series, 1946-ca.1992; and theatre poster series, 1950-1978.

Mannering, Peter, 1925-2000