The fonds consists of four primary series: Michel Butor research files, Jeanne Hyvrard research files, French feminist writings research files, and French lesbian novels research files. The Butor series consists of correspondence, research files, works of Waelti-Walters, and reference material such as articles and clippings. The Hyvrard series consists of Hyvrard manuscripts, correspondence, research files, literary criticism and translations of Hyvrard. The feminist writings and the French lesbian novels series consist of drafts, primary sources, secondary sources, research notes, correspondence, and bibliographies. All the series contains some teaching files and reference material.
The fonds consists of correspondence regarding opera scores and performances from several organizations, including the Royal Conservatory of Music, the Library of Congress, the Metropolitan Opera, and Opera Rara; correspondence from several individuals and musicians, including Joan Sutherland; several miscellaneous programs and advertisements for performances; autographs of Beverly Sills; and 1 photograph of Beverly Sills and McLauchlin.
Fonds consists of records documenting Friedmann's interests and activities both on and off the University of Victoria campus. Fonds includes reports, correspondence, minutes of meetings and course outlines for new courses offered in physics (including the co-op programme), nursing, and social work, records of Senate and faculty committees, material relating to the resignations of University of Victoria Presidents Bruce Partridge and Malcolm Taylor and the appointment as President of Howard Petch, material relating to the University of Victoria Open Houses, and records (including constitutions, minutes financial records) relating to the Cadboro Bay Ratepayers Association and Community Plan, the Canadian Parents for French, the Vancouver Island Opera Society and the Victoria Symphony Society.
Fonds consists of drafts of essays, novels, short fiction, and transcripts of poetry; photographs of the prairie and British Columbian scenes; correspondence; family certificates and financial records; publishing contracts and agreements; draft chapters of The North American Buffalo and The Canadian Buffalo Today; two copies of The North American Buffalo with annotations and microfilm copy; Roe’s articles of buffalo, agriculture, Shakespeare and Marlowe; variant drafts of Getting the Know-How; reference files including journals, brochures, and pamphlets; CPR time books and railroad operating booklets; maps, some drawn by Roe, of western Canada and the northern USA showing actual and proposed railway lines, the buffalo range, Indian trails and the extermination of the American bison; one audio tape of a 1971 interview with Roe by Naomi Radford.
Collection consists of material compiled by Elsie Allan concerning theatre in Victoria and other locations in B.C. and in England. The collection includes notebooks of annotated scripts, scripts of plays, announcements and notices of meetings of the Victoria Theatre Guild, programmes of amateur and professional performances in Victoria, New York, and England, and programmes of the British Columbia, Dominion, Kelowna, and Vancouver Island Drama Festivals.
Also includes Allan's photographs of Victoria and Field, B.C., Camp Petawawa, Salisbury, England, France and unidentified B.C. locations during World War I. Many of the photographs depict the military.
Fonds consists of records of the Malahat Review (Issues 1 through 64) and includes typescripts of articles, short stories and poems submitted to the magazine; galley proofs, page proofs; minutes of meetings of the Malahat Review Editorial Board; general financial and administrative records relating to the magazine's founding by Robin Skelton and John Peter; correspondence of Skelton and Peter concerning submissions to the magazine, requests for submissions to special issues, the magazine's financial crisis in 1975 and appeals to subscribers for support; account books recording works submitted; photographs; press releases; newsclippings.
Fonds consists of records created and used by Segger in his activities with the B.C. Heritage Trust and Advisory Board, the Heritage Canada Foundation, the City of Victoria Heritage Advisory Committee, the Esquimalt and Nanaimo Railway Committee, and with projects by University of Victoria students in architecture history. Fonds includes summaries of heritage preservation projects, minutes, correspondence, architectural drawings, newsclippings, policy statements, proposals for scholarships and building projects, newsletters, conference material, zoning information, flow charts, membership surveys, and architectural history projects undertaken by Segger's students; records of Segger's books and articles about Samuel Maclure; and, copies of photographs of houses designed by Maclure.
Fonds documents the activities of the Victoria Limners Society from 1972-2008 and includes correspondence, meeting minutes, financial records and society filings. It also contains records related to various group exhibits, including the Limners’ 25th anniversary exhibition in 1996, as well as records related to a book and video produced about the group. A small number of newspaper clippings, exhibition pamphlets, various editions of a booklet on the Limners Society artists and black and white photographs showing Limner members at exhibitions and meetings can be found in this fonds. This fonds has been arranged into into six series: 1) letters; 2) minutes; 3) financial records; 4) society filings; 5) 25th anniversary exhibition; and 6) publications and graphic materials.
Fonds reflects Meigs’ artistic development, relationships with galleries, and teaching career, and consists of articles, brochures, correspondence, essays, lecture notes, notebooks, exhibit posters, photographs, scripts and other writings. Exhibitions and writings include: "The Scab Picker," "The Western Gothic," "Joy Joy Sorrow," "The Newborn," "Swoon," "Scenes for My Affection," "Purgatorio - A Drinkingbout," and "A Dense Fog."
Fonds consists primarily of correspondence between E. J. Hughes and Max Stern. The first accession consists of original letters from Hughes to Stern, as well as a folder of location photographs taken by Hughes and photocopies of his descriptions of his paintings. The second accession consists of photocopies of letters from Stern and his assistants to Hughes, or to others regarding Hughes’s work. The final accession consists of a single folder of photocopies of correspondence between Hughes and Dominion representatives.