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The fonds reflects the development of Harrison's career as a painter following 28 years as a teacher, and consists of the following series: Harrison Family and Personal; Accounting; Teaching; Art Works; Production; Harrison Appearances; Publishing; Projects; Galleries; Photography; and Miscellaneous Objects.
Harrison, Ted, 1926-
The fonds reflects Margaret Peterson’s artistic processes and practices, research interests, pedagogy, her relationship with Howard O’Hagan, and her relationships with friends, patrons, fellow artists, galleries and various institutions.
The fonds consists of correspondence, photographs, biographical documents, diaries and notebooks, financial and business-related documents, grant applications, teaching materials, unpublished poetry and manuscripts, exhibition catalogues, clippings and publications, drawings and small artworks, painting materials, objects collected by Peterson, and various ephemera.
Correspondents include Howard O’Hagan, Elza Mayhew, Glenn Wessels, J. Russell Harper, Jean Varda, Dorothy and John B. Grover, Joy Ling, Walter Askin, Robert and Sarah Amos, Helen Anderson, R.W. Peterson, Ellen Charlotte Peterson, and Jane Hanks.
The fonds has been arranged into five series: Biographical, Art Practice, Publications, clippings and collected ephemera, Teaching, and Howard O’Hagan Materials.
Peterson, Margaret, 1902-1997
The fonds consists of the following series: Cedar Lodge School records, and reports. Records of the Cedar Lodge School include: correspondence, 1976-1988; Minutes and reports, 1984-1988; Planning, 1976-1978; Photographs and pamphlets. Reports include: Psychology Department reports, 1963, 1966-67; Charles Watson, Development of Psychological Services in British Columbia, 1965; G. A Milton, The History of the BCPA: A Perspective, 1978; John Conway et al, Report of the External Review of the Department of Psychology, University of Victoria, 1990.
Gaddes, William Henry, 1912-2008
Fonds reflects Wise’s artistic inspirations, philosophical development, research interests, interactions with fellow artists and patrons, and relationships with galleries, art dealers, schools and arts organizations. The fonds consists of correspondence, sales lists, exhibition catalogues and lists, photographs, clippings, sketches, poems and calligraphy, scrapbooks and notebooks, teaching materials, curricula vitae and biographical documents, publications, and seals and other objects used by Wise in his art practice. Correspondents include Robert Amos, Pat Martin Bates, Pat Bovey, Brian Brett, Lin Chien-Shih, Stephen Cummings, Fleming Jorgensen, Stephen Gislason, Colin and Sheila Graham, Robin Hopper, Nick and Karin Koerner, Ramon Kubicek, Lobsang Lhalungpa, Chin-Shik Lin, Brian Longworth, Max Maynard, Avon Neal, Gary Lee Nova, Toni Onley, P.K. Page, Syn Richards, Martin Segger, Doris Shadbolt, Madeleine Shields, Robin Skelton, Huston Smith, Pete Trower, George Woodcock, and Myken Woods. The fonds has been arranged into four series: art practice; biographical; publications and essays by others; and teaching. The art practice series consists of five sub-series: photographs; posters; exhibition catalogues; correspondence; prose, poetry and small works; and notebooks, scrapbooks and clippings.
Wise, Jack, 1928-1996
Fonds reflects Foster’s artistic processes and practices, research interests, pedagogy, and her relationships with galleries, patrons, students and friends. Fonds consists of sketches, tracings, small paintings and prints, paint samples, printing plates, notes, correspondence, photographs, slides, negatives, exhibition catalogues, newspaper clippings, art publications, receipts and sales documents, inventories, Foster’s diplomas, and various ephemera.
Correspondents include Ed Hill, Barbara Demaray, Fritz Eichenberg, Anna Vakar and several businesses and galleries.
The fonds has been arranged into three series: Art practice, Publications and clippings, and Teaching.
Foster, Judith A., 1930-2000
The fonds reflects Allan Antliff’s interest and participation in the anarchist movement and numerous activist and anarchist events throughout North America and Europe. Fonds includes newspaper clippings, monographs, journals, articles, pamphlets, leaflets, newsletters, correspondence, photographs, notes and notebooks, audio-visual materials, posters, t-shirts, and ephemera.
Antliff, Allan
Status of Women Action Group, Victoria Branch fonds
Fonds consists of office logs, a daily record of events, 1972-1992; Downtown Women's Place Project file, 1992-1993; posters, 1987-1994; pamphlets, 1972, 1987, 1990; and several newsletters: Victoria Status of Women News, 1972-1990; Times Feminist, 1991-1995; Waves, 1978-79; and Women's Centre and Transition House News, 1974.
Status of Women Action Group, Victoria Branch
Western Canadian Universities Marine Biological Society fonds
The fonds consists of the following series: general correspondence (1968-1984); Management Council agenda, minutes and reports (1971-1985); committee agenda, minutes, correspondence, and papers (1969-1984); publications (1969-1980); grant applications and correspondence (1969-1980); budgets (1970-1985); reports (1968-1982); legal documents (1967-1983); members list (1974-1979); and job descriptions (1973-1982). Also included are architectural drawings for the Bamfield Marine Biological Station.
Western Canadian Universities Marine Biological Society
The fonds consists of photographs of Mr. and Mrs. Crawford in Victoria with friends and family and on travels in Banff, Lake Louise, Niagara Falls, and Seattle.
Fonds consists of four designs for the University of Victoria flag (1978) and other graphics, including preliminary sketches for the Chief Dan George wood mural and posters advertising theatrical productions; designs and plans for theatrical sets and stages (1964-1983), including the Phoenix Theatre Building, the Roger Bishop Theatre, and the Chief Dan George Theatre.
West, William Duncan, 1921-2007