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The fonds consists of assorted papers from Lee’s life and career.

Fonds consists of 4 series: the Frank Sylvester series, ca. 1862-1908; the Cecelia Davies Sylvester series, ca. 1854-1928; Family ephemera series, 1867-1918, and Photographs, ca. 1870-1950. The Frank Sylvester series includes: cannery contracts, legal invoices, lecture manuscripts, and a diary. The Cecelia Davies Sylvester series includes: an autograph book, and scrapbooks containing clippings, photographs and ephemera. The Family ephemera series includes: biographical information, documents, pamphlets and publications. The Photographs series includes: photographs, negatives, and glass plate negatives.

The fonds consists of letters from Percy ("Jack") Gooch to his parents in England, sent from his postings in England, the Crimea and India, regarding army life and the Crimean War. The fonds includes correspondence of Mrs. Edith Stephenson and other family members regarding personal and business matters.

The collection consists of two manuscripts:-- "The Fathers' Indian Mutiny Letters, 1857 - 1859" which consists of Xeroxed, typed transcripts of letters from J. H. Wyatt, writing from India, to his wife, Jane, "Jeanie" in Aberdeen. There are 77 letters plus a note: "Maude's Battery at the Relief of Lucknow 25 Set. 1857. By Lt. Col. M.E.S. Laws. OBE. M.C. R.A. (ret'd.) Taken from the R.A. Journal, July, 1953", 6 pp. The second is "Military Memories: Part I. First World War,1914-19; Part II. Mesopotamia, Egypt, Turkey, 1919-23; Part III. Royal Air Force, 1923-28; Part IV, Second World War 1938-1945 by W. F. A. Preston, Major late Royal Artillery, Newmarket, Ontario, 1965." 137 pp.

Fonds consists of drafts of essays, novels, short fiction, and transcripts of poetry; photographs of the prairie and British Columbian scenes; correspondence; family certificates and financial records; publishing contracts and agreements; draft chapters of The North American Buffalo and The Canadian Buffalo Today; two copies of The North American Buffalo with annotations and microfilm copy; Roe’s articles of buffalo, agriculture, Shakespeare and Marlowe; variant drafts of Getting the Know-How; reference files including journals, brochures, and pamphlets; CPR time books and railroad operating booklets; maps, some drawn by Roe, of western Canada and the northern USA showing actual and proposed railway lines, the buffalo range, Indian trails and the extermination of the American bison; one audio tape of a 1971 interview with Roe by Naomi Radford.

The fonds consists of records of Rufus Coleman relating to his research on the works of John Townsend Trowbridge, including copies of Trowbridge correspondence, photograph of Trowbridge with Samuel Clemens (Mark Twain), off prints of articles written by Coleman about Trowbridge, notes and copy of Coleman's Ph.D. dissertation.

The collection consists of 735 items, the majority of which are drawings and watercolours produced by Bayne on a European sketching tour in 1864-65 made possible by the Soane Medal award in 1864. Bayne spent four months in France (August-December 1864), sketching Romanesque and Gothic churches at Amiens, Soissons, Noyon, Angers, Toulouse, and along the Loire. Bayne travelled to Spain where he spent three months (Jan. - March 1865) documenting sites in the Pyrenees he believed would soon be lost to warfare and neglect, recording stained glass windows and other architectural details of Gothic and Romanesque structures, and visiting sites with important Moorish architecture. Bayne's Spanish work is the most comprehensive of the collection. He also made careful notations on his drawings and sketches with a complete numbering system, identification of the city, structure and facade, and the date of the work. From Spain, Bayne travelled to Naples where he spent about a week in Sicily. He went on to Greece and Turkey for a month (April - early May 1864), apparently going from Athens to Salonica and south to Constantinople. Many of the drawings are missing from this series, but show his interest in Byzantine churches and Islamic architecture in Greece and Turkey. He returned to Naples for a four month tour of Italy (May - August 1864). The collection includes a few drawings from Pompeii, panoramic views of Rome, architectural drawings of Renaissance and Medieval structures from Rome, Venice, Milan, Florence, Pisa, and Assisi, and sketches of architectural details such as stained glass in Assisi and the Baptistery doors in Florence. In September, 1864, Bayne was in Germany, but only a few of these drawings remain. The information about them is limited as they are dated or numbered, but the sites are not recorded on most. After Bayne accepted a position with the East India Railway Company in 1866, he moved to Calcutta, India. Part of the collection includes sketches he made on tours in India, and illustrates Muslim and Hindu structures in Benares, Delhi, Allahabad, Madras, Ahmadabad, Bombay, Brindabun, Chitor, Moorabad, and Calcutta. At least four structures in India are attributed to Bayne: the East India Railway offices (1881-84), the Huseinabad Clock Tower at Lucknow (1881-85), the Mayo Memorial Hall at Allahabad (1879), and the Thornhill and Mayne Memorial Library at Allahabad (1878). The presentation drawing for the latter structure is included in the collection as a donation from the Port Alberni Historical Society. The other items in the collection include a photograph of Bayne, several covers of his original European notebooks, and two certificates, one of which commemorates his achievement in passing the Voluntary Architectural Examination in 1864 with distinction, and the second certifying his election as an Associate of the Royal Institute of British Architects.

The fonds consists of manuscripts published and unpublished, which include juvenilia, poetry and story drafts, and the author's annual holograph gatherings of completed poems. The fonds includes public addresses, children's stories, periodical off prints, page proofs of A Dryad in Nanaimo, reviews, family and biographical items, photographs, certificates, recordings of poems set to music, a printers plate, biographical material, and correspondence. Correspondence includes 34 letters from former Prime Minister Robert Borden. Artwork often accompanies juvenilia verse and later children's stories; the media used include: ink on paper illustrations, pencil sketches, and watercolour drawings. Newspaper clippings include the author's columns, stories and poems. Also included are photocopies of 60 letters written by Audrey Brown to Professor Pelham Edgar (1929-47). The originals are in the Pelham Edgar collection at Victoria University, Toronto. The fonds also consists of: newspaper clippings and biographical material re Audrey Alexandra Brown and her family; correspondence between Brown and Pelham Edgar; correspondence between Brown and Earle Birney; correspondence from Martin Burrell to Pelham Edgar re Brown; manuscripts by Brown.

Fonds consists of lists of Chinese deceased in Canada, 1937; leave permits issued to the Chinese Hospital in Vancouver, Victoria, and other areas of B.C., 1908-1909; donation and fundraising records, subscription booklets, records of income and expenditures, receipts, Free Miners Certificates, national bonds, 1884-1912; population data; correspondence from the Commander in Shanghai, 1932; minutes of the Chinese Public School; correspondence regarding donations for victims of famines, droughts, and floods in China, and booklets recording donations; records of the Chinese Hospital, including report books on patients, doctor order books and consultation forms, 1956-1976. Fonds also includes death and burial records series, 1902-1923, consisting of: medical certificates of death for Chinese persons in Victoria, BC; and burial permits for Chinese persons in Victoria, BC, including permits issued by the Chinese Benevolent Cemetery Company.

Fonds documents Naylor's life and work as organ scholar and composer. The fonds consists of correspondence to associates, friends and family, 1935-1984; miscellaneous programs, scrapbooks, ephemera, newspaper clippings, and photographs; manuscript choral, instrumental and vocal scores of Naylor's work, and others, 1924-1983; sound recordings of folk songs, chamber music, instrumentals and interviews, and recordings of other composers' work.