The collection consists of transcripts of poems with holographic revisions and notes; correspondence from Dowson to Henry Davray, John Lane, Charles Sayle, Leonard Smithers, and Victor Plarr; copies and typed transcripts of letters from Dowson to John Lane, Conal O'Riordan and Henry Davray, and of letters from R.H. Sherard to O'Riordan about Dowson, after his death.
The collection consists mainly of material generated in the process of publishing the book Yeats the Initiate (1986), consisting of typescripts, drafts, paste-ups, illustrations, and proofs; plus correspondence, mainly to Liam Miller at the Dolmen Press.
The collection consists of letters from A.R. Orage, 1933-1934, manuscripts by Armstrong for "Focus" 21, "The Literary Digest", etc. (1945-1970) plus a review, a note, and a mss for "The Poetry Review" by G.S. Fraser, 1950-1952. Also included in the collection are enclosures from "Ten Contemporaries" [1932 & 1933]. These enclosures consist of research material and correspondence: re the publication of the two volumes, and the writers included in them.
The collection consists of correspondence from T. S. Eliot, photographs, a Lecture typescript with corrections, and an annotated book. The correspondence from Eliot is to: Mme. D. Bussy (including 1 unfinished reply and 2 from TSE's secretary) [1934-56]; Miss J.S. Bussy (daughter of above) [1939-56]; T. Tambimuttu ; R. Thoma ; M. Wykes-Joyce re Ezra Pound  ; H.M. Belgion [1940-63]; Mrs. Harold Monro (Alida) [1934-60] including 2 photos; John Lehmann [1936-52]; Anthony Cronin ; Francis Berry  re Herbert Read. The typscript with corrections is TSE's lecture "From Poe to Valery". Also included is Herbert Read's The Education of Free Men (Freedom Press, 1944) with approx. 200 words of Eliot's holograph annotations throughout the text.
The collection consists of a handwritten letter and a typed, signed letter to Maurice Wollman. Both letters are concerned with Wollman's proposed poetry anthology. In the letters, Spender refuses to allow any of his poems to be included. There is also a portrait etching of Spender by Edgar Holloway. It is number eight of seventy-five signed copies (by the artist). It is in the style of Holloway's etching of T.S. Eliot.
The collection consists of mainly of correspondence. Most of the letters are from Dylan Thomas to John Lehmann, David (Tennent ?), G.V. Roberts and Clifford Dyment. Also included are letters from Daniel Jones and Vernon Watkins to (G.V.?) Roberts and from Denys (Kilham Roberts?) to Lehmann. The letters relate to personal activities and various literary matters. The other material is ephemera: a b/w postcard of the Augustus John portrait of Dylan Thomas, and a clipping of Thomas' obit. from The Tenby Observer and Country News, Nov. 18, 1953.
The collection consists of a 2 page hls, May 26, 1937, from Henry Simpson to Meyerstein re: Meyerstein's Briancourt; a 1 page hls, Jan. 13, 1945, from Meyerstein to Henry Simpson; a 1 page, Jan. 29, 1945, incomplete draft typed letter reply to Meyerstein from Henry Simpson about Meyerstein's Azure.