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The fonds consists of Jackman's correspondence with friends, publishers, institutions and colleagues; diaries; material related to the Maltwood Museum; papers written by Jackman as a student, including his MA thesis; published works by Jackman; records of the University of Victoria and material related to Jackman's academic career and duties; course outlines; reading lists; notes for classes taught by Jackman; drafts of manuscripts; correspondence for books written or edited by Jackman; photographs and slides; photo albums of Peggy Abkhazi and E.T. Anfield, Jackman's uncle; and other ephemera collected by Jackman.

Item consists of sound recordings of Debby Yaffe discussing her childhood, schooling and family life in California, including gendered family roles, expectations of femininity in the 1950s, university, marriage and life in Europe, her feminist consciousness raising experience in London, teaching high school in London, the differences between English and American societies, sex discrimination, radical feminist activities, restructuring of sexual relationships, life in Canada and involvement in the Women's movement in Victoria, Status of Women Action group, Everywoman's Books, disordered eating as feminist issue, work as a fitness instructor, abortion rights, impact on feminist awareness of the December 6, 1989 killings at École Polytechnique in Montréal, radical feminism, women's lives in Canada and England, life as a lesbian, resisting dominant domestic relationship constructs, teaching Women's Studies, feminist theory, and the Victoria Women's Movement Archives.

The Debby Yaffe interview was conducted by Joy Fisher as a research project in the course History 358A, "Women in Canada," taught by Dr. Lynne Marks, which covered histories of women in Canada from the era of New France to the present. Fisher"s resulting essay is entitled "Riding the Wave/ Watching the Wave: A Second Wave Feminist Talks about Gender Ideologies and her Life."

The collection consists of nineteen interviews with instructors and students discussing their experiences while at the PNS. Interviewees include: Margaret Dunn Beckwith, George and Winnett Brand, Dr. Harold Campbell, Mrs. Kay Christie, Benjamin Crawford, Norman and May Forbes, Jack Fouracre, Helen Fulton, Dorothy Germaine, John Gough, Olive Wilson Heritage, Marjorie Hoey, Laurette Holdridge, Wilfrid Johns, Alfred Loft, George Love, Sylvia McKay, Eleanor Piggott, and Percy Wilkinson.

The fonds consists of the following series: Victoria College history files, including biographies, McGill years; UVic campus development files; UVic Committee files; UVic facts files; UVic history files, including athletics, biographies, clippings; Multitude of the Wise manuscript files; and Development of Gordon head Campus manuscript files. The history files include biographical material on: Thomas Cornett, Jeffree Cunningham, Percy Elliott, Walter Gage, Edward B. Paul, Russell Howard and Samuel Willis (Victoria College); and Hugh Farquhar, Harry Hickman, Willard Ireland, Howard Petch, Robert Petrie, David Strong, Malcolm Taylor, Robert Wallace and Robin Wood (UVic).

The fonds reflects Margaret Peterson’s artistic processes and practices, research interests, pedagogy, her relationship with Howard O’Hagan, and her relationships with friends, patrons, fellow artists, galleries and various institutions.

The fonds consists of correspondence, photographs, biographical documents, diaries and notebooks, financial and business-related documents, grant applications, teaching materials, unpublished poetry and manuscripts, exhibition catalogues, clippings and publications, drawings and small artworks, painting materials, objects collected by Peterson, and various ephemera.

Correspondents include Howard O’Hagan, Elza Mayhew, Glenn Wessels, J. Russell Harper, Jean Varda, Dorothy and John B. Grover, Joy Ling, Walter Askin, Robert and Sarah Amos, Helen Anderson, R.W. Peterson, Ellen Charlotte Peterson, and Jane Hanks.

The fonds has been arranged into five series: Biographical, Art Practice, Publications, clippings and collected ephemera, Teaching, and Howard O’Hagan Materials.

The fonds consists of 16 audiocassettes and transcripts of interviews with the following members of the Faculty Women Caucus: Marilyn Callahan, Radhika Desai, Jean Dey, Monika Langer, Hester Lessard, Margie Mayfield, Norma Mickelson, Phoebe Noble, Clare Porac, Alison Preece, Christine St. Peter, Judith Terry, Paddy Tsurumi, Jennifer Waelti-Walters, Barb Whittington, and Margo Young. Tapes and transcripts arranged in alphabetical order.