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Fonds consists of correspondence, and manuscripts submitted for publication.

The fonds consists primarily of drafts and research materials used to write his book "Frontier Theatre: A History of Nineteenth Century Theatrical Entertainment in the Canadian Far West and Alaska", published in 1982. Fonds includes musical scores and librettos, programs, photographs, scrapbook and four unpublished plays: "Murder Pattern," 1936; "Ascend as the Sun"; "Earth Song", by Herman Voaden; and "The Dragon", by Bertram Brooker.

Fonds consists of research files relating to Nowosad's study of Richard Ciccimarra, including: correspondence; research notes and lectures; essays; biography manuscript files; publications; Ciccimarra writings; photographs of Ciccimarra's works; taped lectures by Robin Skelton and programmes on Ciccimarra; and audiocassettes of oral history interviews about Ciccimarra with Penny Auersperg (first wife), Stephie Wilson, Vicky Husband, Nicole Frechette, Robert DeCastro, Elza Mayhew, Colin Graham, Myfanwy Pavelic, Herbert Siebner, Karl Spreitz and others.

Sous-fonds consists of records kept by Carole Itter documenting the life and death of her daughter, Lara Gilbert, Gilbert’s medical history, the publication of Gilbert's journals, legal trials submitted by Itter and Gilbert, and research on related topics chiefly from newspaper reporting and academic texts and journals. The sous-fonds has been arranged into five series: 1) cassette tapes, 2) I Might Be Nothing records, 3) legal proceedings, 4) medical records, and 5) clippings and research.

The fonds consists of documents relating to Celu Amberstone's writing career. Records consist of poetry, playscripts, children's prose, notes for readings, publishing contracts, review clippings, correspondence, and acceptance and rejection letters from publishers and editors. The fonds also includes a proof copy of The Dreamer's Legacy by Celu Amberstone, and House of Commons Special Committee on the Disabled and Handicapped publication, "Native Population: Follow-up Report" (1981), which features a profile of Amberstone/Barbara Smith. The fonds is also comprised of digital text files of Amberstone's writings and e-book versions of her publications.

Fonds consists of 6 series: correspondence, 1961-1987, primarily Earle Birney; literary manuscripts, ca. 1954-1957, including fiction and plays; research, ca. 1962-1987; printed materials, ca. 1954-1988, primarily journal offprints and copies; indices, ca. 1962-1987. The indices consist of research card groups including: animals; slang dictionaries; women in medieval medicine; medieval medical books; symbolism; The Canterbury Tales, and miscellaneous subjects.

Fonds consists of materials to Hoffman's professional and research activities and reflects his involvement in the BC theatre community. Topics include: aboriginal performance, Carroll Aikins, British Columbia Theatre Conference, British Columbia theatre history, Llewelyn Bullock-Webster, Hamasta ceremony, Inkameep School, New Play Centre, "Nootka Sound , or Britain Prepar’d,""Oxford Companion to Canadian Theatre," "Playing the Pacific Province," Sydney Risk/Everyman Theatre, Theatre Energy, Theatre North West, Theatre One, Vancouver theatre history, Victoria theatre history, and the Western Canada Theatre (Company).
The fonds includes video recordings from the BC Theatre Conferences and audio interviews with Burton Lancaster, Garry Davey, Catherine Caines, Donna Spencer, David Ross, Robert Simon, Len Marchand, Ken Fayrholdt, Ann Adamson, Peggy Bernier, Judith Ceroli, Dorothy Davis, Nick Hutchinson, Cathy Marrion, Mavor Moore, and Phoebe Smith.