The fonds consists of correspondence and drafts of Alford's critical works, including his biography of George Egerton (Mrs. Mary Chavelita Bright), Alford's Ph.D. dissertation on the Rhymers' Club, drafts of works on Stephen Hudson (Sydney Schiff), George Eliot, Aldous Huxley and A. Bronson Alcott; notebooks and journals kept by Alford, with holograph notes on his works of fiction and autobiography as well as fragments of stories; drafts of Alford's novel "A Garden Enclosed", drafts of short stories; and drafts of Alford's autobiographical works "In Pursuit of Any Arse", "Time Exposure", and "Travelling Hopefully: A Simple Record of Unsentimental Journeys to the Okanagan and Thereabouts, 1977-1978", including photographs; and correspondence with Howard Gerwing (UVic SC Librarian), 1984-1990.
The fonds consists of records of Herbert Thomas John Coleman, including worksheets of his poetry and prose (also including two poems and an essay by his brother, Rufus Arthur Coleman); Coleman family photographs and negatives, financial records and certificates; correspondence from Coleman to other family members; scrapbooks of Coleman's poems, clippings and brochures; academic journals containing essays by Coleman and copies of Coleman's illustrated books for children, containing holograph inscriptions and extensive annotations.
Coleman, H. T. J. (Herbert Thomas John), 1872-1964
The fonds consists of records of Rufus Coleman relating to his research on the works of John Townsend Trowbridge, including copies of Trowbridge correspondence, photograph of Trowbridge with Samuel Clemens (Mark Twain), off prints of articles written by Coleman about Trowbridge, notes and copy of Coleman's Ph.D. dissertation.
The collection consists of: Barker's correspondence (1934-1964); news clippings (1933-1968); sketches (1963-1965); holographs and transcripts of essays (1937-1969); notebooks; holographs and typescripts of poetry (1954-1970); contracts (1933-1964); marked proofs; a heavily annotated copy of Elizabeth Smart's A Bonus (1977), and an annotated copy of Aristotle's Poetics etc., which Barker used for reviewing Ezra Pound's XXX Cantos.
The fonds consists of typescripts and proofs of novels (1968-1971), television scripts (1964-1969), contracts (1966-1970) and correspondence (1963-1971) with agents and publishing and broadcasting companies.
The fonds consists of records documenting Cuomo's writing activities. Fonds includes notebooks and lists recording hours worked and money earned from his writing; notes, variant drafts and proofs for his novels, short stories and poems, as well as news clippings and other research material; variant drafts of an unpublished play; variant drafts of essays, articles and book reviews; brochures and other ephemera.
The fonds consists of typescripts of an unpublished novel "The Harmless Snake"; 3 unpublished books of poetry: "The Simon Poems", "Thy Harry's Company", "A Motley to the View"; typescript copies of five Egoyan screenplays (reworked by Bell) including: "Family Viewing" (1987) in 3 drafts; "Speaking Parts" (1989) in 5 drafts; The Adjuster (1991) 1 draft, "Exotica" (1995) 1 draft (not reworked by Bell) and "The Sweet Hereafter" (1997) in 3 drafts; some additional holograph notes and a notebook regarding the scripts and correspondence from Atom Egoyan to Bell 1985-1995 regarding the films. Additionally, there is correspondence from Irving Layton and others.
The fonds consists mainly of manuscript, correspondence, and photographs relating to the book "James Joyce in Paris: His Final Years". Included are a typescript "On Photographing Joyce" with holo. notes; Freund's photographs with a typescript list of those not included in the book; Carleton's typescript and her typescript translation of the preface; a dummy copy for the book; galley proofs; a paste up of the title page; and a few photos and sample text. Also included are: a newspaper account of the book in "Le Figaro"; a holograph preface written by Simone de Beauvoir; release letters from people included in the book, among them Henry Miller.
The collection consists of correspondence from T. S. Eliot, photographs, a Lecture typescript with corrections, and an annotated book. The correspondence from Eliot is to: Mme. D. Bussy (including 1 unfinished reply and 2 from TSE's secretary) [1934-56]; Miss J.S. Bussy (daughter of above) [1939-56]; T. Tambimuttu ; R. Thoma ; M. Wykes-Joyce re Ezra Pound  ; H.M. Belgion [1940-63]; Mrs. Harold Monro (Alida) [1934-60] including 2 photos; John Lehmann [1936-52]; Anthony Cronin ; Francis Berry  re Herbert Read. The typscript with corrections is TSE's lecture "From Poe to Valery". Also included is Herbert Read's The Education of Free Men (Freedom Press, 1944) with approx. 200 words of Eliot's holograph annotations throughout the text.