The fonds consists of correspondence with George Woodcock, editor of "Canadian Literature" in 1971, re his submission of a review of Robin Skelton's poetry, plus a first draft of the review; correspondence with Rampant Lions Press (Will and Sebastian Carter), 1976-1977, regarding the printing of a collection of Hutchison's broadsides, plus copies of the broadsides; manuscripts, correspondence, artwork, notebooks, research materials and miscellaneous [This large collection (1996-020) is only roughly sorted and is on loan]. Notable correspondence includes George Woodcock, Susan Musgrave, Dennis Brown and the Rampant Lion Press.
The fonds consists of typescripts of an unpublished novel "The Harmless Snake"; 3 unpublished books of poetry: "The Simon Poems", "Thy Harry's Company", "A Motley to the View"; typescript copies of five Egoyan screenplays (reworked by Bell) including: "Family Viewing" (1987) in 3 drafts; "Speaking Parts" (1989) in 5 drafts; The Adjuster (1991) 1 draft, "Exotica" (1995) 1 draft (not reworked by Bell) and "The Sweet Hereafter" (1997) in 3 drafts; some additional holograph notes and a notebook regarding the scripts and correspondence from Atom Egoyan to Bell 1985-1995 regarding the films. Additionally, there is correspondence from Irving Layton and others.
The fonds consists of copies of indentures of lease of the Barry family preceded by Copy Probate of the Will and Codicil of Thomas Barry, Esq., deceased, dated June 12, 1770.
The fonds consists of correspondence of Flora Burns and other family members, including letters from Louisa Blum, Pearl Craigie, Mrs. Morgan Richards, and the Warburg family, and correspondence between Flora Burns and Sister Mary Theodore, Sister's of St. Ann's, Victoria; photograph of Flora Burns; clippings; and books of poems by Edward Francis Harris and psalms. There is also a signed letter from Anne Harvie Ross Foster, (Mrs W. Garland Foster) 1875-, (now Ann Hanley) to Flora Hamilton Burns together with a typed carbon reply from Miss Burns, in which she talks about "The Mohawk Princess".
The fonds consists of documents relating to Celu Amberstone's writing career. Records consist of poetry, playscripts, children's prose, notes for readings, publishing contracts, review clippings, correspondence, and acceptance and rejection letters from publishers and editors. The fonds also includes a proof copy of The Dreamer's Legacy by Celu Amberstone, and House of Commons Special Committee on the Disabled and Handicapped publication, "Native Population: Follow-up Report" (1981), which features a profile of Amberstone/Barbara Smith. The fonds is also comprised of digital text files of Amberstone's writings and e-book versions of her publications.
The collection consists of a typescript (printers' copy) plus a pencil mock-up of page designs for "Collected Verse Translations"; a manuscript rough draft of the poem "The book of the South West's desire for a North Eastern resting place" , with one page signed by Gascoyne; uncorrected galley and corrected page proofs for "The Sun at Midnight"; and seven semi-abstract watercolours, all signed by Gascoyne.
The fonds consists of drafts of his works, including handwritten manuscripts, typescripts and carbon copies with sometimes extensive corrections of much of his published work and several unpublished titles; correspondence from personal friends and publishers; Goldring's letters to the editor; diaries and notebooks, 1903-1960; newspaper clipping files; and a Goldring biography file. Names of correspondents include: Richard Aldington, John Betjeman, T.S. Eliot, Emma Goldman, Aldous Huxley, W.S. Maugham, and Alec and Evelyn Waugh. The largest correspondence files are from Mary Butts, Ethel Mannin and Louis Wilkinson. Also included is a file of correspondence from Betty Duncan to Conal O'Riordan. She later became Goldring's first wife and the mother of his two children.
The collection consists of 3 typed, signed letters; a postcard; 5 Christmas cards; and a short note from Cummings. (tls to Peter Russell, the rest to Mrs. Ellen Stevenson). One of these letters relates to reprinting one of Cummings' articles. One Xmas card is a reproduction of a painting by E.E. Cummings (stamped on verso "Painting by E.E. Cummings").
