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The collection consists mainly of material generated in the process of publishing the book Yeats the Initiate (1986), consisting of typescripts, drafts, paste-ups, illustrations, and proofs; plus correspondence, mainly to Liam Miller at the Dolmen Press.
Raine, Kathleen, 1908-2003
The collection consists of: 2 leaves of typescript with holograph corrections of explanatory notes on the plates for "The Demon of Progress in the Arts" (1954); 10 leaves of typescript with holograph revisions of "Chapter I: The 'Do-Nothing Mode'" (about Lewis' father); 21 leaves of carbon typescript with holograph corrections of chapters 4-6 of "Painting as a Sport" ; 7 leaves of carbon typescript with holograph corrections with a note to "Mrs. Gilliat"; 3 leaves of a holograph review of Swabey's "The English Church and Usury"; 19 leaves of a typescript review with holograph corrections of Harry Slochower's "No Voice is Wholley Lost".
Lewis, Wyndham, 1882-1957
The collection consists of photocopies of Dylan Thomas manuscripts and radio plays.
Maud, Ralph
The fonds consists of a typewritten volume of poetry; 20 leaves of typescript in a blue cloth notebook.
S., Roy
The fonds consists of a handwritten letter from Miron Grindea (Adam International); photocopies of typescript poems and translations (numbered and signed by Russell); reprint and photocopied typescript of two articles; photocopies of revised typescript and extracts from "Ephemeron" (also numbered and signed by Russell).
Russell, Peter, 1921-2003
The fonds consists of a 14 page typescript carbon hand-stapled chapbook 21x26 cm, with holograph corrections. The holograph ink titlepage states: "12 poems -- Barry MacSweeney".
MacSweeney, Barry
The fonds consists primarily of typescript from "The Nightfishing" used for a radio broadcast; poetry worksheets for "Implements In Their Places", "Malcolm Mooney's Land", and "The Nightfishing"; correspondence with Crieff Williamson and Robin Skelton; and four notebooks, together with Robin Skelton's research notes. Also included is a typescript of "Aimed At Nobody", which was published posthumously, together with related publishing documents and correspondence. The final items are two folders of Graham's artwork and a silk screen portrait of Graham by William Featherston.
Graham, W. S. (William Sydney), 1918-1986
The fonds consists primarily of typescripts, together with a proof copy and dust jacket of "Ruth Pitter: Homage to a Poet"[1969]. In addition, there is some correspondence to Russell from some of the potential contributors to the book, including John Betjeman, Philip Larkin, Norman MacCaig, John Masefield, and Iris Murdoch.
Russell, Arthur Wolseley
The collection consists of manuscripts and typescripts of The Group; manuscripts of poems; a manuscript of Hobsbaum's doctoral dissertation "A Theory of Communication", with holograph corrections by William Empson, Professor of English at Sheffield University; and letters to Hobsbaum from Empson relating to the supervision of Hobsbaum's doctoral thesis. The Group manuscripts are by Taner Baybars, Martin Bell, Alan Brownjohn, Julian Cooper, Anne Dyke, Christopher Hampton, Arthur Jacobs, Rosemary Joseph, Owen Leeming, Christopher Levenson, Edward Lucie-Smith, George MacBeth, Robin McLaren, Adrian Mitchell, Margaret Owen, Michael Pickering, Peter Porter, George Raphael, and Peter Redgrove.
Hobsbaum, Philip
The collection consists of correspondence from T. S. Eliot, photographs, a Lecture typescript with corrections, and an annotated book. The correspondence from Eliot is to: Mme. D. Bussy (including 1 unfinished reply and 2 from TSE's secretary) [1934-56]; Miss J.S. Bussy (daughter of above) [1939-56]; T. Tambimuttu [1959]; R. Thoma [1932]; M. Wykes-Joyce re Ezra Pound [1952] ; H.M. Belgion [1940-63]; Mrs. Harold Monro (Alida) [1934-60] including 2 photos; John Lehmann [1936-52]; Anthony Cronin [1958]; Francis Berry [1953] re Herbert Read. The typscript with corrections is TSE's lecture "From Poe to Valery". Also included is Herbert Read's The Education of Free Men (Freedom Press, 1944) with approx. 200 words of Eliot's holograph annotations throughout the text.
Eliot, T. S. (Thomas Stearns), 1888-1965