The collection consists of a handwritten review of "Poems Ancient and Modern" by Peter Porter, "Sjambok" by Douglas Livingstone, "The Loss of India" by Zulfikar Ghose, "Londoners" by Gavin Ewart, "Old Savage, Young City" by Nathaniel Tarn, and "This Cold Universe" by Patric Dickinson.
The collection consists of manuscript material, consisting of a carbon typescript, corrected of "An Explanation" (being the preface to Shaw's edition of the Shaw-Ellen Terry correspondence); a manuscript of "Motives of Socialism"; and marked proofs for "Shaw Speaks on War" (a transcript of a short wave broadcast in 1937). Also included is correspondence with Elbridge Adams, Hubert Bland, William Archer, William J. Pickerell, and Harold Laski, together with correspondence from Janet Achurch to Hubert Bland. There is also a small amount of ephemera.
The fonds consists primarily of typescripts, together with a proof copy and dust jacket of "Ruth Pitter: Homage to a Poet"[1969]. In addition, there is some correspondence to Russell from some of the potential contributors to the book, including John Betjeman, Philip Larkin, Norman MacCaig, John Masefield, and Iris Murdoch.
The fonds consists mainly of correspondence (1942-63) from various writers and contributors to the Aylesford Review. Included among the correspondents are: Terence I.F. Armstrong (John Gawsworth), John Betjeman, Shelagh Delaney, Joseph Delteil, Eleanor Farjeon, Graham Greene, Alyse Gregory (widow of L. Powys), Arthur Machen, John Cowper Powys, Stevie Smith, Una Troubridge, Sylvia Townsend Warner and Louis Wilkinson. Also included in the fonds is a small amount of earlier correspondence from G.K. Chesterton to Father Vincent McNabb (1926) and from Eric Gill to Clare Pepler (1922-25).
The fonds consists of records produced by Skelton during the course of his life and career, documenting his activities as a poet, scholar, teacher, prose fiction writer, critic, editor and white witch. Records relate to activities including his co-founding of the University of Victoria Department of Creative Writing, his editorship of "The Malahat Review", his involvement with the Lotus Press in England and the Pharos Press and Sono Nis Press in Victoria, his collaboration with Ann Saddlemyer on the "Collected Works of J. M. Synge" and "The World of W. B. Yeats", a symposium and exhibition held in 1965 honouring the centenary of Yeats' birth, and his association with such writers as Wilfred Rowland Childe and Bonamy Dobree. Skelton's correspondents include T. S. Eliot, W.H. Auden, Robert Graves, Margaret Atwood, Earle Birney, Bonamy Dobree, Paul Theroux, Kathleen Raine and many others.
The collection consists mainly of material generated in the process of publishing the book Yeats the Initiate (1986), consisting of typescripts, drafts, paste-ups, illustrations, and proofs; plus correspondence, mainly to Liam Miller at the Dolmen Press.
The collection consists of letters written by Forster to Randall. They concern, firstly, his trip to Rumania, where he stayed with the Randalls; a tour in France in 1928; and his journey home. Later letters include references to such literary people as Herbert Read, Harold Monro and T.S. Eliot, plus a mention of reading James Joyce's "Ulysses". He also refers to his visit to Africa and his sentiments about the Spanish Civil War and W.W.II. Most of the later letters are signed "Morgan".
The fonds consists of a typed signed letter to Mr. Bunting re the publication of Crowley's manuscript "Magick Without Tears". Bunting was associated with a publishing firm. He asks him to send the manuscript to John Symons.
The collection consists of a handwritten letter to Henry Davray (1873-1944) concerning the foreign publication of Symons ' books and a holograph short critical assessment of Robert Browning. Also included is a copy of "Poetry World" (1929; Vol.1, No. 1) which contains a critical article: "Arthur Symons: English Decadent" by Richard Johns.