The collection consists of artwork and prints collected by Daniel Mato. Includes works by Robert Achtemichuk, Michael Bigger, Donald Crouch, Pierre Heyvaert, Steve Higgins, Robert Sakowski, Winston Leathers. Also includes prints by Ruffino Tamayo, Luke Iksiktaaruk, Tommy Eoic, Karel Appel, Jose Ortega.
Mato, Daniel, 1934-
Collection consists of brochures, catalogues, postcards, and posters amassed by Amos. Also included is scanned compilation of Amos’s Times Colonist articles and research material including handwritten notes, newspaper articles, and more related to the collector’s work in putting together a biography of the local artist, Myfanwy Pavelic (unpublished), and a biography of photographer Henry Mortimer Lamb titled, “Harold Mortimer Lamb: The Art Lover” (2013).
The collection consists of: 2 leaves of typescript with holograph corrections of explanatory notes on the plates for "The Demon of Progress in the Arts" (1954); 10 leaves of typescript with holograph revisions of "Chapter I: The 'Do-Nothing Mode'" (about Lewis' father); 21 leaves of carbon typescript with holograph corrections of chapters 4-6 of "Painting as a Sport" ; 7 leaves of carbon typescript with holograph corrections with a note to "Mrs. Gilliat"; 3 leaves of a holograph review of Swabey's "The English Church and Usury"; 19 leaves of a typescript review with holograph corrections of Harry Slochower's "No Voice is Wholley Lost".
Lewis, Wyndham, 1882-1957