The fonds consists mainly of correspondence (1942-63) from various writers and contributors to the Aylesford Review. Included among the correspondents are: Terence I.F. Armstrong (John Gawsworth), John Betjeman, Shelagh Delaney, Joseph Delteil, Eleanor Farjeon, Graham Greene, Alyse Gregory (widow of L. Powys), Arthur Machen, John Cowper Powys, Stevie Smith, Una Troubridge, Sylvia Townsend Warner and Louis Wilkinson. Also included in the fonds is a small amount of earlier correspondence from G.K. Chesterton to Father Vincent McNabb (1926) and from Eric Gill to Clare Pepler (1922-25).
The fonds consists of research files pertaining to C. S. Lewis and Owen Barfield, including manuscripts and manuscript copies, photocopies of articles and newsletters, research notes, correspondence between Lionel Adey and Owen Barfield and photocopies of correspondence between Barfield and C. S. Lewis.
The collection consists of a handwritten letter to his mother (small piece torn out with slight loss of text); a typed, signed letter to Mr. Mills; a handwritten letter from Sidney Campion to Ernest Rasdall re Campion's book "The World of Colin Wilson", 21 clippings about Colin Wilson, a signed catalogue for Campion's "Third One-Man Exhibition", and 3 leaves of unidentified corrected typescript.
The collection consists of a handwritten letter to Henry Davray (1873-1944) concerning the foreign publication of Symons ' books and a holograph short critical assessment of Robert Browning. Also included is a copy of "Poetry World" (1929; Vol.1, No. 1) which contains a critical article: "Arthur Symons: English Decadent" by Richard Johns.
The collection consists of a mimeographed, signed letter from Starkey to Magee. In the letter, he thanks him for the note on "The Avatars", which he will print in his next issue (Jan.-Mar.). The letter accompanied a complimentary copy of his "Collected Poems".
The collection consists of a handwritten letter and a typed, signed letter to Maurice Wollman. Both letters are concerned with Wollman's proposed poetry anthology. In the letters, Spender refuses to allow any of his poems to be included. There is also a portrait etching of Spender by Edgar Holloway. It is number eight of seventy-five signed copies (by the artist). It is in the style of Holloway's etching of T.S. Eliot.
The collection consists of three handwritten letters to Helen B. Cruikshank. An enclosure of a quotation from Homer is included in the last letter. In the letters, he refers to Grieve (Christopher) [Hugh MacDiarmid], Eliot, Pound, and Joyce.