The fonds consists of subject files that contain newspaper clippings, publications, manuscripts, programmes, photographs, and art work, arranged by the following titles: Audrey's poems, Ballet, Bastion Theatre, Conservatory of Music, Music and Drama, Fine Arts, Famous Artists, Festivals (Art and Music), International Festivals, Programs, Theatre, Victoria Symphony. Also included are 5 certificates.
Fonds documents Naylor's life and work as organ scholar and composer. The fonds consists of correspondence to associates, friends and family, 1935-1984; miscellaneous programs, scrapbooks, ephemera, newspaper clippings, and photographs; manuscript choral, instrumental and vocal scores of Naylor's work, and others, 1924-1983; sound recordings of folk songs, chamber music, instrumentals and interviews, and recordings of other composers' work.
Fonds consists of the following series: Personal records, 1925-92; Correspondence, 1928-97; Programs and reviews of performances, 1949-87; Photographs, ca.1895-97; Certificates and medals, 1924-95; Instrumental music scores, 1930-92; Secular choral music scores, 1929-93; and Sacred choral music scores, 1932-38.
Fonds consists of minutes, correspondence, fund raising records, financial records, conductors files, guest artists files, legal agreements, arrangements for tours, scrapbooks of clippings, and programmes.
The fonds consists of 7 letters of Mary Lou Williams to Winston Lucas asking his assistance in distributing her new LP record recently released by Decca Record. Williams was a black jazz pianist and arranger-composer, who is often regarded as the only significant female instrumentalist in jazz. She was an important "swing" pianist with a distinctively understated, legato manner based on subtly varied stride and boogie-woogie bass patterns. She was also a major exponent of postwar modern jazz, and advanced the careers of many younger magicians.