The fonds consists of 5 holograph poems and typescript photocopies of 2 others. manuscript copies of "June Days", "The Love of the Ages to Come", "Unreasonable", and "November in Vancouver Island", plus typescript photocopies of "A Shetland Summer Storm" and "The Tsolum River". In addition, there is a small amount of biographic information.
The fonds consists of personal, business and publishing correspondence (1953-1982), and also five handwritten letters to Arthur William Wallace (1931-1978); typescripts of O'Hagan's unpublished autobiography, proposed novels and unpublished short stories and articles; notes, variant drafts and page proofs of "The School-Marm Tree"; photographs of O'Hagan and other O'Hagan family members and friends; published articles about O'Hagan and his work, programmes of ceremonies, greeting cards, and bibliography of O'Hagan's works; audio tape interview with O'Hagan, conducted by E.J. Hart in Victoria. Also included is a small amount of Margaret Peterson (O'Hagan) material, consisting of a typescript of "My Life With Howard O'Hagan" and manuscript poetry drafts.
The fonds consists of poetry and other writing works by Morton, video cassettes, CDs, and photographs from writing workshops that Morton attended, notebooks containing correspondence, planning, and writing. The Elder Project was a job that Morton worked on that involved going around to various First Nations communities to collect stories and poems from First Nations Elders as they shared their stories with their younger generations. The collected poems were then printed into small booklets. The fonds consists of the manuscripts and transcripts of these booklets, some of the booklets themselves, as well as permission release forms.
The fonds consists of a photocopied typescript of Bowering's play "The Temple of the Stars" (ca. 1996). She based the character of Katherine Maltwood "on her work as a sculptor and her discovery of the Glastonbury "Temple of the Stars"". This play was performed at Kaleidoscope Theatre in 1996. Also included are a playscript and worksheets of "Anyone Can See I Love You" (1987); correspondence and playscripts of "Grandfather Was a Soldier" (1987); and typescripts and drafts of her novel "To All Appearances a Lady" (1989); plus an item of correspondence re: reissuing some of her published articles.
The fonds consists of: 1) correspondence - mainly with fellow writers including Patrick Lane, Susan Musgrave, George Payerle, Robin Skelton, and George Woodcock and with publishers; 2) manuscripts - mainly of his own poetry, drama, and prose, including a BC Bibliography of Literature; 3) notebooks - in which appear ideas, diary entries, drafts of work, etc.; and 4) audio cassettes (not yet listed).
The fonds consists of records relating to Peter's teaching and research activities, including research grant applications, letters of recommendation and lists of bibliographic citations; notes, outlines, fragments, notebooks, manuscripts and galleys for "Along That Coast", "Take Hands at Winter" and "Runaway", as well as unpublished novels by Peter and correspondence with publishers regarding "Along That Coast" and "Runaway". The fonds include a small amount of material relating to Professor Peter's research and teaching activities, but primarily they document his writing activities, particularly the preparation of his novels, as well as unpublished works of fiction and essays.