The collection consists mainly of a photocopied typescript of Aram Saroyan's "Cloth: an electric novel". Also included are a handwritten letter to Tom Clark re "Cloth" and mentioning Ted Berrigan, Paul Carroll, Steve Katz, and Philip Whalen; a corrected typescript signed by Tom Clark which seems to be intended as a preface to "Cloth"; clippings from "Poetry (Chicago)" of Aram Saroyan selection of material from Louis Zukovsky; and a clipping from Rolling Stone? of a picture of Randy Newman.
The fonds consists of a handwritten letter to Harriet Monroe, editor of Poetry (Chicago), inquiring about the poems he sent two months previously and giving his assessment of several imagist poets. In the letter, he mentions Flint, Lawrence, Pound, Williams, Fletcher, Aldington, and Stanley Kunitz.
The fonds consists of a handwritten letter to Fred Candelaria (Simon Fraser University, Burnaby, B.C.) enclosing her song lyric "Guadalajara". She suggests that he might compose a score for it. She also mentions that she has only a few copies of her book left, but that Robin Skelton was recommending it for a British edition.
The collection consists of correspondence including: letters and postcards to Alfred Perlès, letters and postcards to Graham Ackroyd, letters to Father Brocard Sewell, and miscellaneous letters to and from publishers and others. Also included are watercolours, sketches, and photographs plus typescripts, with holograph corrections, for "Max", "Quiet Days in Clichy", Miller's preface to "Hollywood Hallucination" by Parker Tyler, "This Is My Answer", and "Just Wild About Harry".
The collection consists of a typed, signed letter to Alan Marlowe, on behalf of City Light Books. In the letter, Ferlinghetti refers to his trip to New Mexico and the "hippie" situation there. He also requests him to send copies of his books "Huncke's Journal" and "Love Poems From The Middle Latin", as they are running out of copies. He refers to Timothy Leary's "1000 Prayers" and requests him to send as many as possible.
The collection consists of two letters from the poet to George and Florence Noyes concerning his preparation of foreign language dictionaries for the U.S. Army and two from Patty Bacon (wife) on personal matters. All the correspondence is from 1941, the year Leonard Bacon won the Pulitzer prize. Also included is a clipping (obit of Martha Bacon, ie. "Patty") from 1967.
