The fonds consists mainly of manuscript and typescript drafts of poems, together with some critical and biographical material.

The fonds consists of journals, typescripts, photographs and negatives. Includes typescripts of "20 Stories for Frances", "After the War"
"Sarashina-Nikki: The Daybook of Lady Sarashina", and "The Fathers of Stol".

The fonds consists of a carbon typescript of an unpublished prose satire "Only One Must Die".

The fonds consists of an envelope containing 10 fiche of Tremayne's plays. In addition, there is a photocopy of a 2 p. typescript on Tremayne, with a 2 p. attached list of the plays of Tremayne that have been microfiched.

The fonds consists of a bound volume of 13 carbon typescript essays and addresses by or collected by Quebec lawyer William White on various subjects such as legal, moral and ethical issues.

The collection consists of: 2 leaves of typescript with holograph corrections of explanatory notes on the plates for "The Demon of Progress in the Arts" (1954); 10 leaves of typescript with holograph revisions of "Chapter I: The 'Do-Nothing Mode'" (about Lewis' father); 21 leaves of carbon typescript with holograph corrections of chapters 4-6 of "Painting as a Sport" ; 7 leaves of carbon typescript with holograph corrections with a note to "Mrs. Gilliat"; 3 leaves of a holograph review of Swabey's "The English Church and Usury"; 19 leaves of a typescript review with holograph corrections of Harry Slochower's "No Voice is Wholley Lost".

The collection consists of a 325 page carbon typescript autobiography (with 25 pages of endnotes) in translation. Personal and political reminiscences and observations covering childhood, period as a newspaper editor in Meiji (1879); Mayor of Tokyo, and political and parliamentary activities. The original text was written in 1920, and the translation, possibly edited by John Soffell, perhaps in the 1930's.

The fonds consists of records documenting Juricic's preparation of "Zbirka Lirike Iz Nove Domovine". Fonds includes corrected holograph, typescript, carbon transcript and proof copy, all in Croatian, and a covering letter to Howard Gerwing (UVic Special Collections Librarian), 1975.