Women artists

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Women artists

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Women artists

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Women artists

2 Archival description results for Women artists

2 results directly related Exclude narrower terms

Margaret Peterson fonds

  • CA UVICARCH AR445
  • Fonds
  • 1920-1997

The fonds reflects Margaret Peterson’s artistic processes and practices, research interests, pedagogy, her relationship with Howard O’Hagan, and her relationships with friends, patrons, fellow artists, galleries and various institutions.

The fonds consists of correspondence, photographs, biographical documents, diaries and notebooks, financial and business-related documents, grant applications, teaching materials, unpublished poetry and manuscripts, exhibition catalogues, clippings and publications, drawings and small artworks, painting materials, objects collected by Peterson, and various ephemera.

Correspondents include Howard O’Hagan, Elza Mayhew, Glenn Wessels, J. Russell Harper, Jean Varda, Dorothy and John B. Grover, Joy Ling, Walter Askin, Robert and Sarah Amos, Helen Anderson, R.W. Peterson, Ellen Charlotte Peterson, and Jane Hanks.

The fonds has been arranged into five series: Biographical, Art Practice, Publications, clippings and collected ephemera, Teaching, and Howard O’Hagan Materials.

Peterson, Margaret, 1902-1997

Sandra Meigs fonds

  • CA UVICARCH AR138
  • Fonds
  • 1970-2007

Fonds reflects Meigs’ artistic development, relationships with galleries, and teaching career, and consists of articles, brochures, correspondence, essays, lecture notes, notebooks, exhibit posters, photographs, scripts and other writings. Exhibitions and writings include: "The Scab Picker," "The Western Gothic," "Joy Joy Sorrow," "The Newborn," "Swoon," "Scenes for My Affection," "Purgatorio - A Drinkingbout," and "A Dense Fog."

Meigs, Sandra, 1953-