The fonds consists of records of Herbert Thomas John Coleman, including worksheets of his poetry and prose (also including two poems and an essay by his brother, Rufus Arthur Coleman); Coleman family photographs and negatives, financial records and certificates; correspondence from Coleman to other family members; scrapbooks of Coleman's poems, clippings and brochures; academic journals containing essays by Coleman and copies of Coleman's illustrated books for children, containing holograph inscriptions and extensive annotations.

The fonds consists of a photocopied typescript of Bowering's play "The Temple of the Stars" (ca. 1996). She based the character of Katherine Maltwood "on her work as a sculptor and her discovery of the Glastonbury "Temple of the Stars"". This play was performed at Kaleidoscope Theatre in 1996. Also included are a playscript and worksheets of "Anyone Can See I Love You" (1987); correspondence and playscripts of "Grandfather Was a Soldier" (1987); and typescripts and drafts of her novel "To All Appearances a Lady" (1989); plus an item of correspondence re: reissuing some of her published articles.

The fonds consists of correspondence generated in course of business along with invoices and inventories. Some correspondence, such as that of Kathleen Raine, includes extended exchanges beyond that required for business purposes. Additionally, some manuscript material acquired by the business is included: i.e. Patrick Creagh, Derek Mahon, and Patrick McCartan's typescripts of letters from W. B. Yeats and Oliver St. John Gogarty.

The collection consists of Graves' autograph diary (1935-1939), with enclosures including letters from his children, photographs, clippings, and transcripts of poems, articles and letters; correspondence written by Graves to various people, including Isla Cameron, Selwyn Jepson, Aemilia Laracuen, Andrew Mylett, and Raphael Patai; poetry worksheets (1965-1970) and prose and poetry worksheets (1970); manuscripts including essays, reviews, forewords, prefaces, articles, lectures, and for the works "King Jesus", "The Anger of Achilles", "Hebrew Myths: The Book of Genesis", "Greek Gods and Heroes", "An Ancient Castle", "La Luna de los Perros", and "Juvenalia and Other Poems"; photographs; and drawings of Majorca by Paul Hogarth. The collection is arranged in lots as its various parts were acquired not as a single purchase but from different book dealers at different times. The collection also consists of a copy of a letter from Robert Graves to UBC chemist Lionel Harrison with sample pages from the poetry book it refers to. The collection also consists of a portrait of RG by John Ulbricht done in 1968.

The fonds consists primarily of correspondence with many individuals, including Richard Aldington, Wilfred R. Childe, Alex Comfort, Edward Dahlberg, Bonamy and Valentine Dobree, T. S. Eliot, Naum Gabo, Rayner Heppenstall, Barbara Hepworth, David Jones, Jacob Kramer, Percy Wyndham Lewis, Henry Miller, Henry Moore, Frank Morley, Edwin Muir, Ben Nicholson, Alfred R. Orage, George Orwell, Robert Payne, Kathleen Raine, Stephen Spender, Adrian Stokes, Allen Tate, Arthur W. Wheen, George Woodcock and Wilhelm Worringer. Also included are notebooks, worksheets, proofs and mimeographed BBC programs; mostly from the 1950s and 1960s.

The fonds consists primarily of typescript from "The Nightfishing" used for a radio broadcast; poetry worksheets for "Implements In Their Places", "Malcolm Mooney's Land", and "The Nightfishing"; correspondence with Crieff Williamson and Robin Skelton; and four notebooks, together with Robin Skelton's research notes. Also included is a typescript of "Aimed At Nobody", which was published posthumously, together with related publishing documents and correspondence. The final items are two folders of Graham's artwork and a silk screen portrait of Graham by William Featherston.